Hindustan Times (Chandigarh)

70 years on, a dirge to innocent victims of Partition

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relate empathetic­ally with the tragedy of 1947? “Although the divide had taken place some years before I was born, yet it was very much a part of my consciousn­ess. Muslims constitute­d one-third population of my village Harion Khurd, near Samrala, and they all fled. I grew up hearing stories of the Muslim drummers who belonged to the Bharai caste, and eating mangoes from a tree that was planted by Gujjar Faqira. Some refugees from Jhang, the land of Heer, in Pakistan, came to the neighbouri­ng village of

Oorna as they were allotted land there. However, they were driven away because of feuds with locals,” he recounts.

He observed the plight of the refugees who had settled in large numbers in and around Patiala. Even after decades of living there, they are seen as outsiders by the native Patialvis and called ‘Bhapas’, in mockery of their brand of the Punjabi dialect.

The insider-outsider divide continues on both sides of the border even 70 years after the Radcliffe Line was drawn.

When asked how the dormant poet in him came alive, Bhatti replies: “I did write poems for the college magazine but I consciousl­y chose Shah Mohammad’s style with its archaic words.”

Just for a flavour of 110 cantos that he has written in ‘Wandnama’: “Pehlan Rabb nu matha tekiye jee/ Jehrha khel avalarhe khelda jee/ Katthe baithian nu aap juda karke/ Pher mel achanki melda jee. (Let’s bow before the Creator/ Who plays strange games/ First he separates those sitting together/ Then suddenly reunites them).”

Bhatti, who post-retirement is adviser to the Research Centre for Punjabi Language Technology at the Punjabi University, hopes to bring out the book in Shahmukhi (Punjabi in Persian script), Devnagri and Roman scripts too.

A RETIRED SOCIOLOGY PROF TURNS TO POETRY IN REMEMBRANC­E OF THOSE KILLED IN 1947 RIOTS AND COMES UP WITH ‘WANDNAMA’

 ?? SUSHIL PRAJAPATI/HT ?? Writer Harvinder Singh Bhatti with the book.
SUSHIL PRAJAPATI/HT Writer Harvinder Singh Bhatti with the book.

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