Hindustan Times (Delhi)

A spy without conscience should not be glorified

The central theme in Raazi appears to be flawed: to love one’s own country, one doesn’t have to hate another’s

- Nandita Patel is a Mumbaibase­d writer The views expressed are personal

Ranbir Kapoor has called Raazi one of the greatest films in Hindi cinema. Is it? Beyond a good-looking lead with acting chops, or technical finesse, or even nice music, what elevates stories is their inner worth: does Raazi embody a principle or ideal — or the lack thereof— that elevates it in the eyes of its audience even as it entertains?

In the context of the film, Raazi means not only the keeper of secrets, but also the one who acquiesces to do something for the sake of the nation. Ostensibly, the principle that Raazi stands for is that “watan ke aagey kuch nahi, khud bhi nahi” ( Nothing is more important than the motherland, not even one’s own self). Granted. But is betraying and killing the Other the best way to serve this motherland? Is everything truly fair in love and war?

The biggest problem with Raazi is that Sehmat, the protagonis­t, has few ethical dilemmas about betraying and killing — that she does so to the very people who treat her with love and respect makes it worse. The presumed reason for her lack of compunctio­n is that the people she kills are enemies of her nation and, so, deserving of no sympathy. Still, her moderated inner voice, her lack of inner turmoil, ought to leave any right- minded audience in turmoil. Can a person who betrays and kills truly serve as a heroine for our times? If so, how different is she from those who betray and kill us in the name of their country, or their religion?

Perhaps Sehmat’s lack of conscience and introspect­ion is a sign of the times we live in. It is not too far-fetched to think that one of the main reasons this film is being applauded in India is that it is being seen primarily as a tale about minority communitie­s proving their commitment to the nation. If Sehmat, being Muslim and Kashmiri, would be shown to have mixed emotions about her actions, she would be called as a traitor. Does Sehmat truly do what she does for the love of her nation? Or does she do it out of hatred for the Other’s nation? After all, she points a gun at her Pakistani husband and abducts a child who trusted her as his teacher, so that she can save her own life. That is neither service to the nation nor self-sacrifice. It is self-interest.

All countries have spies, and all of them do terrible things in times of war. But that does not make it right. The movie could have reflected this struggle of morality if it had showed its protagonis­t to be a tragic hero, or even dying in the course of duty. Instead, Raazi wipes out doubts and contesting viewpoints to endorse Sehmat as a heroine. What’s lacking is an understand­ing of that past affecting her present, of her wrongness despite her duties to the nation, and of her innate humanity that would push her to self-correct through real service and sacrifice. Do you have enemies? Good. That means you have stood up for something! That is what one of the ‘principled’ characters says in Dan Brown’s book, Origin. The message that is meant to be sent across is that one should always stand up for something or the other at any given point in the long journey of life. Only then one can be said to be leading a good life.

A man of principles will necessaril­y have a positive mind and good character. And

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