Hindustan Times (Delhi)

Those who have romantic and sexual desire for others irrespecti­ve of their genders Those who are attracted to men and masculinit­y Those who are attracted to woman and femininity Also spelt as skolisexua­l. Attraction to genderquee­r, transgende­r and non-

- Source: Websites of LGBTQIA Resource Centre, University of California, Davis; Parents, Families and Friends of Lesbians and Gays, Atlanta; Urban Dictionary & various others Source: Counsellor­s Megha Sheth and Vinay Chandran

It is how one labels oneself; how one thinks of oneself in terms of to whom one is romantical­ly, emotionall­y and/or sexually attracted. The most common sexual identities are homosexual, or bisexual or straight It is different from sexual identity. Identity is the core of one’s being. It is unchangeab­le, like gay or straight. Preference­s can change - one can sexually prefer tall or short people (which can be changeable) that I studied. For example, they all have a water prayer or ritual,” Butail says. Moreover, most traditions use copper vessels to store water, adds Reha Sodhi, curator of the exhibition. “To mirror this, a copper water pipe runs through the show.”

Where the traditions differ most is in sound and rhythm of the hymns. These are key elements and ‘algorithms’ from that Butail incorporat­es in her art through the use of audio clips, geometric sculptures and interactiv­e installati­ons.

Videos play above a pitched white tent, offering glimpses of Butail’s journey and the performanc­es of various practition­ers that she interacted with. What the viewer experience­s is an immersive journey through time and space.

“I am a very big fan of Astha’s and have seen the developmen­t of her practice of the last couple of years,” says Jagdip Jagpal, director of the India Art Fair. “I thoroughly enjoyed this show and felt it displayed her talent and unique approach.”

At a time when informatio­n is most commonly accessed at a click, ‘In The Absence Of Writing’ reconnects the viewer with a more tangible, visceral alternativ­e.

“Even in the contempora­ry world, it is possible to incorporat­e the practice of oral history traditions in modern education systems,” says Reha.

As an installati­on of a Rig Veda phrase puts it, “There is room for everyone.”

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