Channel Nine’s ouster end of an era in cricket coverage
With the stroke of a pen, 40 years of innovation and inspiration was consigned to the dustbin of history; Channel Nine no longer has the contract to cover cricket in Australia.
On Friday the 13th, what Kerry Packer had joined together, the men from Cricket Australia had put asunder. It was the end of an era that began with revolution and ended with resignation.
You can’t think of Channel Nine’s cricket coverage without immediately reflecting on the expertise of Richie Benaud. Benaud was the glue that held all the innovation and technology together; meticulous with his diction and as cool as a pina colada when things were going awry.
His performance as he introduced a day’s play at the Gabba, encapsulates his value and expertise as a presenter. As he was articulating his thoughts, the backdrop suddenly collapsed. Without missing a beat he pushed back with his elbows to ease the Wide World of Sports logo off his head just as his watch alarm started ringing. Continuing without a word out of place, he calmly searched under his cuff for the culprit and duly pressed the button to stop the racket.
There were the cavalcade of stars who inhabited the commentary box; Bill Lawry and Tony Greig going at it hammer and tongs on air and then dining out together at night. Michael Slater and Mark Taylor, who when they weren’t discussing the merits of country town Wagga, were arguing over who was responsible for the bulk of the run outs that occurred during their productive opening partnership.
Ian Healy would chime in with what sounded like either sports medicine expertise or classic ‘BS’, which inspired one mate to text; “Even a broken clock is right twice a day Heals.”
In the evolutionary stages the coverage was piloted by the genius of executive producer David Hill and the eagle-eyed director Brian Morelli. When Hilly wasn’t being innovative he would threaten; “You do another commentary stint like that and I’ll hit you over the head with a lead pipe.”
You knew when Morelli was bored. The instruction to one of the long tenured and dedicated cameramen would ring out as follows, “Okay, focus on his racquet or that stick he’s got in his hand.”
The statistics were supplied by two eccentric sticklers for accuracy, Irving Rosenwater and Max Kruger. From England, Rosenwater was endowed with a calligraphic hand and a parent’s protective instincts for his treasured cards. When I defiled one of his cards containing a player’s lifelong endeavours on and off the field, I was never again allowed to handle his cards. I could look but never touch.
There were the myriad of overseas guest commentators headlined by the West Indies’ Tony Cozier and England’s Freddie ‘effin’ Trueman. Cozier would entertain with his Bajan lilt and Trueman would produce one-liners while clearing the commentary box by puffing on his cigar.
All this mayhem and magic was pulled together by the backroom “boys”, the directors’ assistant, the floor manager, the make-up artist, the runners and the people epitomised by the man-of-many talents Renato ‘Ron’ Castorina. For around two decades Renato kept us on time and on our toes.
On this day that ended an era I felt most sad for the more recent hierarchy - executive producer Tom Malone, producer Brent Williams and the talkative and talented director, Bryan Newton. Along with polished presenter Mark Nicholas, they were in the process of creating their own legacy when the tenure was cut short.
Benaud was the epitome of the show business dictum “The show must go on.” It all ended on April 13th, 2018.
BENAUD WAS THE GLUE THAT HELD ALL THE INNOVATION AND TECHNOLOGY TOGETHER; METICULOUS WITH HIS DICTION AND AS COOL AS A PINA COLADA WHEN THINGS WERE GOING AWRY