Jazz, his first love

Known for his association with human rights cases, Sorabjee began his practice in 1953 at the Bombay high court. In 1971, the high court designated him as a senior counsel. He served as the solicitor general of India from 1977 to 1980 to became the country’s attorney general first from 1989 to 1990, and then from 1998 to 2004. But jazz, as Sorabjee would often say, was his first love. He developed an interest in jazz by a happy accident, Naresh Fernandes writes in his book on the history of jazz in Mumbai, Taj Mahal Foxtrot: The story of Bombay’s jazz age. The salesman at Rhythm House – a famous music shop that was set up in the late 1940s and shut shop a few years ago – gave Sorabjee a recording of Benny Goodman Trio’s “Tiger Rag” instead of Brahm’s “Hungarian Dance No. 5”, as asked for. “The first playing of the record had an electric effect, especially the sound of

Benny’s clarinet and the feeling of spontaneity throughout the performance,” the book quotes Sorabjee. Sorabjee also began to take clarinet lessons from famous jazz musician Hal Green, and performed at amateur concerts.

During the war years, he and a group of boys from his school, St Xavier’s High School at Dhobi Talao, would tune into Radio SEAC that would host jazz music shows. This group started what was the country’s first jazz magazine, Blue Rhythm, in 1952 (the magazine lasted a year).

“We would listen to the greats, who made up what was called contemporary jazz in the 1960s like Miles Davis, John Coltrane, Dizzy Gillespie, and Duke Ellington. Not many know but Soli’s love for jazz started during his school days,” said former advertising executive Stanley Pinto, who was also a jazz pianist and hosted jazz concerts in then Calcutta in the 1970s and 80s.

Though he stopped playing the clarinet because of breathing problems, Sorabjee believed jazz deeply influenced the way he practised law. He would say it helped him improvise as the situation demanded in court.