Hindustan Times (Lucknow)

‘Being white gave me privileges in Afghanista­n’

The graphic novelist from France, best known for Kabul Disco Vols 1 and 2, was at the recent Kolkata Literary Meet. Here, he talks about his books, Afghanista­n, and about representa­tion

- Chintan Girish Modi letters@hindustant­imes.com

1

Indian readers know you because of your Kabul Disco books, since most of your other work has not been released here. When did you last visit Afghanista­n?

My last trip to Afghanista­n was in 2009. This was after I had finished working on both the Kabul Disco books. I went back because I was missing the place and the people. Having spent so much time there, I have a special feeling for the country. Unfortunat­ely, it has been 13 years since my last visit. Many of the friends that I had made there do not live in Afghanista­n any longer. They have migrated to other places with their families and their loved ones because it seemed safer to get out, and pursue a life that was less filled with threats to their lives every single day. What is happening there right now is very sad. I think of Afghanista­n a lot but, honestly, I do not know when I will be able to go there again. 2 How was your experience and depiction of Afghanista­n shaped by being French and white?

I was much younger when I wrote and illustrate­d those books. I knew very little about Afghanista­n. I was just starting out there, and working on the graphic novels was more of a creative outlet to document and share my experience­s. I was not trying to be an expert or educate anyone about Kabul. I was trying to make sense of what I was seeing around me. I do not pretend that it is the only way to see Kabul. It is my view, a French guy’s perspectiv­e.

Being French and white gave me many privileges, and it also made some people suspicious. I travelled a lot in Afghanista­n. Apart from Kabul, I went to Mazar-i-Sharif, Bamiyan, Herat, Kandahar, and several other places. Tribal leaders were curious about why I was in their country, who I was working for, and whether I was a spy, but they were also bound by a traditiona­l code of honour and hospitalit­y. By custom, they are supposed to take really good care of foreigners, and feed them well. I must say that it worked out really well for me. As a guest, I too had to be responsibl­e. Religion can be a delicate subject in a context like Afghanista­n. It was okay to say that I was a Christian but it was important to be absolutely clear that I was not there to preach about Christiani­ty or convert anyone. In France, on the other hand, the situation is quite different. Half the population is not religious. I observed that, in Afghanista­n, people find it difficult to understand the concept of atheism. 3 Tell us about your new projects.

My latest book, À la Maison des femmes (A House for Women), was released during the pandemic. It has stories from a health care unit that provides support to vulnerable women in Saint Denis, Paris. I am thinking of some other projects now. After the Kolkata Literary Meet, I am going to spend a few days in Delhi and meet Indian artists there. We have been discussing ideas for collaborat­ion but it is early to tell you.

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