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My friends thought I would be singing and dancing in the mountains: Banita Sandhu
Anewcomer in Bollywood making her debut in a Shoojit Sircar film and playing the leading lady opposite Varun Dhawan — could there be a better launchpad? For London-based Banita Sandhu, everything has been outstanding, including the reaction of viewers and critics to her first film, October. Basking in the success of her film, which continues to get lavish praise, Banita talks about the experience, and about being a part of something beyond numbers.
October has been getting such overwhelming reviews… how’s the feeling?
Amazing! This is so much more than a film for us. The fact that it’s changing people’s perceptions of love and life means more to me than any box-office collections.
Do family and friends back in the UK understand you playing the female lead in a Bollywood film?
Most of my friends were shocked to see how internationally appealing the film is. Some of them were expecting a big Bollywood bonanza, where I’d be singing and dancing in the mountains but they all related to the film...
and absolutely loved the writing and direction, which makes me even prouder to be a part of October! film. Did you eventually realise the stardom he enjoys?
Yes and no! Obviously, fans would come up to him and ask for selfies, or if we were shooting on location, crowds would gather. But, still, his You said that you didn’t know who Varun was when you signed the humility as a person really downplayed his star power. The film set was also a very intimate space and we were both so engrossed in our roles.
Have you felt bad at any time that Varun is getting most of the accolades now after the release?
Not at all! This is a team effort and I keep telling Varun to enjoy the love and critical acclaim he’s getting, because he deserves it. Everyone, the director, writer, and the cinematographer, has worked so hard on October; if one of us succeeds, then we all do.
Have you defied the norms of how a female lead should look and act?
Honestly, I didn’t really think of it like that. It was an individual choice, but I guess, collectively when you think of actresses like Deepika [Padukone] in Piku, Rani [Mukerji] in Hichki, or Kalki [Koechlin] in Margarita with a Straw, we’ve all somehow managed to shift away from actresses only being allowed to offer voyeuristic pleasure and glamour in cinema and instead have pursued character-driven roles. I’m glad to be a part of that movement in Bollywood and to join such a strong force of women whom I’ve admired and have grown up watching.