Hindustan Times ST (Jaipur)

The Indian film industry should now explore space

- ANIRUDH BHATTACHAR­YYA Anirudh Bhattachar­ya is a Torontobas­ed commentato­r on American affairs. The views expressed are personal Inner Voice comprises contributi­ons from our readers. The views expressed are personal Innervoice@hindustant­imes.com

The space opera in recent years has attained such commercial heights that the Star Wars franchise, for instance, delivers a prequel, sequel, or spin-off at regular intervals. That phenomenon could well have Yoda, the Jedi master, moan, “Too much it is.” But the space epic, with its unrestrict­ed scope for the imaginatio­n to reach its escape velocity, isn’t limited to such industrial­grade production­s.

First Man, the biopic of American astronaut Neil Armstrong becoming the first human to step upon the lunar landscape, is the latest reminder that Hollywood can make out-of-this-world movies. The film premiered at the Toronto Internatio­nal Film Festival or TIFF, with director Damien Chazelle and actor Ryan Gosling reuniting to travel from La La Land to the moon landing. Similar projects in the past, like Apollo 13, have also soared. And unlike the fantasies of the unpredicta­ble distant future, we’ve seen the emergence of a genre of speculativ­e filmmaking earthed in the reality of present-day science, with fiction as the booster rocket.

There are plenty of such examples that point to this trend: Gravity, The Martian, Interstell­ar. They do very well in capturing the sheer drama of the vast expanse beyond us without requiring exotic or eerie alien life forms. To their credit, epics like Star Wars, Star Trek or Avatar, with their galactic-scale entertainm­ent, may have created the space for reality-based dramas that capture the essence of the spirit of exploratio­n. Bollywood, unfortunat­ely, hasn’t taken to this star system, and its version of sci-fi has often been grounded in kitsch as with PK or Koi...Mil Gaya.

That’s strange, given how over 50 years back, Dara Singh was carrying a camp classic like Chand Par Chadayee, complete with combatting a space ape and the inimitable Helen gyrating on the moon. 2018, however, signals that this may be changing, with the Tamil film, Tik Tik Tik, or the planned films based on India’s space programme and Rakesh Sharma, the first Indian in space, although the latter seems grounded over which superstar can spare sufficient time for what could be the space epic launch vehicle in India cinema. Space sci-fi, though, isn’t limited to Hollywood.

TIFF this year features many such films, including French auteur Claire Denis’ High Life, the Swedish Aniara, or young IndoCanadi­an director Akash Sherman’s Clara. Either way, the potential exists, even as special effects and animation are blooming in India. Like Hidden Figures, that film about the contributi­ons of African-American women mathematic­ians to NASA, India’s ISRO, with its frugal innovation birthing a Mangalyaan, or possibly, a nearfuture Gaganyaan, are simply waiting for cinematic treatment. For Indian filmmakers, the final frontier is there for the taking. As India’s space scientists compete with the US, Russian, European and Chinese space agencies, the film industry needs to capture the zeitgeist and prepare for lift-off into this realm. Pain is one of the most unwelcome sensations, but does not lack purpose. In fact time stands proof that it has been one of the greatest teachers. As much as it hurts and makes us break down, it also toughens and strengthen­s us, making us rise like the phoenix from its ashes soaring higher and to greater heights.

It is one of the most unavoidabl­e lessons of life, for we could never appreciate the good from the bad whether it’s a relationsh­ip, a friend, a job, or a place. None of us are immune to pain, which comes in the form of disappoint­ments, breakups and failure but if we reminisce, we realise that it made us tenacious and resilient in many possible ways.

Whatever goes up must come down and whatever goes down will come up. So never fear pain, as in the moment it will seem never ending but it eventually goes away leaving you enriched with experience. Just like iron is moulded and beaten a thousand times to be shaped into a beautiful ship that sails through smooth and rough seas and touches innumerabl­e parts of the world gifting and receiving many a treasures that have helped enrich the world.

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