Hindustan Times ST (Jaipur)

To survive on TV is a task, feels Rajesh Shringarpu­re

- Kavita Awaasthi

Basking in the success of his current TV show, Rajesh Shringarpu­re, is glad that OTT content has given actors so many choices. However, the actor, who has been part of many television shows, believe that it is also “a big ocean” and “a powerful medium”.

“Both TV and OTT provide entertainm­ent and every kind of content can survive there. One might have loads of glamour and the others might lack a bit but all mediums give actors diverse opportunit­ies and satisfacti­on of performing. Most importantl­y, actors get recognitio­n, no matter which platform they work on,” says Shringarpu­re.

The 43-year-old actor, who will be seen in a web show soon, feels that creating and being part of television serials is a rather “tough job”. He elaborates, “They entail quite a long and continuous process. Keeping the audiences hooked on to a show for 365 days and consistenc­y in terms of the storyline and performanc­es are difficult. Holding their attention and making a place in the audience’s heart and on their screens in their living rooms is a big achievemen­t. To survive on TV is a task.”

Known for his performanc­es in the film, Sarkar Raj (2008), and TV series, Chandragup­ta Maurya, among others, Shringarpu­re admits that age has refined him.

“A person grows with age and after experienci­ng varied emotions, it gets easier to emote. In fact, in Hollywood, so many actors got success after turning 40. And today, there many experiment­s happening with actors in their 40s on TV. Due to this, content has undergone a change in the recent years,” he explains.

Currently, he has been shooting for his TV show in a bio-bubble outside Mumbai and shares that while profession­ally the lockdown helped him, “personally all of us suffered in varying degrees”.

He says, “The pandemic including the lockdowns are disturbing but you can’t let that hold you back. Every individual has to find a space where they can keep themselves mentally strong.”

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