Hindustan Times (Noida)

For Japan, a pillar of hope

- Rachel Lopez

mistakenly pasted backwards. Flipped digitally, it turned out to be Sanskrit.

Priests overseeing the renovation of a temple in the Shiga prefecture, north-east of Kyoto, found history hiding in plain sight last year. Two old pillars bore blurred, sooty images. Infra-red photograph­y revealed images of eight Buddhist saints. Each pillar bears the images of four Bodhisattv­as — monks who delay enlightenm­ent to help others find salvation. The photograph­s indicate they were once painted in bright blue, green and vermilion. Researcher­s believe these could date to the Asuka period, which lasted from 538 CE to 794 CE, putting them possibly among the oldest known Buddhist paintings in Japan.

Nepal’s tryst with history

The Buddha disapprove­d of the idea of devotees focusing on him, and so little about him and his life is known. Followers believe that his mother, en route to her parents, went into labour and gave birth to him (grasping a sal tree) in the Lumbini garden in present-day Nepal. We know that Emperor Ashoka built the first Buddhist structure there — a pillar inscribed with his own name, the tale of Buddha’s birth, and a date correspond­ing to the 3rd century BCE.

That spot is now a UNESCO world heritage site. But in 2013, when British archaeolog­ist Robin Coningham excavated inside the 3rd century BCE Maya Devi temple that also stands there, he found that the site (and Ashoka’s story) went deeper. Beneath the temple his team found a roofless wooden space, with signs of ancient tree roots over which a brick temple had once been built. Charcoal and sand fragments were carbon dated and found to be from 550 BCE, around the time the Buddha is said to have lived. If this was a Buddhist shrine, the timing would make it the first one ever built.

Indian archaeolog­ists are sceptical, though. “Tree shrines have been part of Hindu worship much earlier than the time

of the Buddha,” says KTS Sarao, former head of Buddhist Studies at the University of Delhi and a former schoolmate of Coningham at Cambridge. “There’s no proof connecting it to the Buddha.”

He adds a further blow: The government of India does not permit foreign archaeolog­ists to dig here. So some scholars may exaggerate foreign findings to make them sound as important as the sites they can’t access, he says.

Meanwhile, work continues in Nepal. Coningham’s excavation­s in the Tilaurakot region, where the Buddha was believed to have lived as Prince Siddhartha, have unearthed the remains of an 1,800-year-old palace complex and walled city. There are courtyards, a central pond and stupas. But still no concrete connection to the Buddha.

In Bangladesh, mango groves hide monuments

When a storm tore through the village of Dalijhara Dhibi in south-western Bangladesh in 1988, it uprooted rows of trees in a mango orchard. The owners decided to plant banana instead, but found they couldn’t. Under the soil was a thick layer of brick. Thirty years later, they tried to plant mango again, and that’s when they decided to examine the bricks more closely. They unearthed a brick structure. The regional archaeolog­ical department was brought in.

Three months of excavation later, the orchard yielded an unusual harvest: a 1,200year-old Buddhist monastic complex. Last year, continuing digs unearthed two temples and courtyards, and 18 residentia­l cells. Fragments of ornamented bricks, terracotta plaques and clay pots show engravings of lotus flowers and geometric shapes.

There are other sites of note in the country. In Nateshwar in central Bangladesh, a 1,000-year-old temple was excavated in 2015. Researcher­s say the revered teacher and saint Atish Dipankar probably spent time there before his travels to Tibet and China. His life, like the Buddha’s, left no known material evidence. Perhaps that’s changing.

 ?? SHUTTERSTO­CK ?? (Clockwise from above left) Colourful murals in Uzbekistan, painted clay idols in central China, monastery ruins in Pakistan and wall sculptures in Bangladesh all tell a common story, of a belief system separated by distance but united by artistic exchange.
SHUTTERSTO­CK (Clockwise from above left) Colourful murals in Uzbekistan, painted clay idols in central China, monastery ruins in Pakistan and wall sculptures in Bangladesh all tell a common story, of a belief system separated by distance but united by artistic exchange.
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from India