Hindustan Times (Noida)

Painted over, never seen: Canvases reveal secrets

- Natasha Rego natasha.rego@htlive.com

t’s always been a tricky process, trying to recreate a painting beneath a painting. Once an artist has reused a canvas (usually to save money), or painted over a part-done work (because they changed their mind midway), it was only possible to guess at what those earlier works looked like.

In recent years, X-ray and infrared scans, combined with human expertise and some guesswork, have helped recreate some of these lost works. Frédéric Bazille’s famous Young Woman at the Piano, which he had written about but was nowhere to be found, was discovered in 2017 using x-radiograph­y, under his 1865 painting, Ruth and Boaz.

Engineer Pascal Cotte spent over 3,000 hours making multispect­ral digital scans of every layer of the 500-yearold Mona Lisa. In 2014, after poring over the painting for 10 years, he showed that she had both eyebrows, eyelashes, and a wider smile in earlier iterations.

X-ray and infrared technologi­es interact differentl­y with the metals in different pigments. So the presence of zinc, copper, iron, cadmium, chromium, etc would hint to researcher­s what the shades in the hidden painting might be. Rembrandts, Van Goghs and Raja Ravi Varmas have all been found to conceal such colourful secrets.

Now, new tech, driven by artificial intelligen­ce (AI), is allowing researcher­s to recreate — much more exactly — the works under masterpiec­es.

Pablo Picasso’s 1902 The Crouching Beggar, for instance, hides a painting by Santiago Rusiñol, Picasso’s contempora­ry and a leader of the Catalan Modernism movement. Twenty-nine years after the painting beneath the painting was first discovered using radiograph­y, it has been resurrecte­d using AI- and 3D-based technology. The work (it is being called a Neomaster) was a collaborat­ion between the Us-based Oxia Palus, an AI startup on a mission to resurrect lost art, and MORF, a digital art gallery.

“Rusiñol is a lesser-known but very significan­t artist,” says Anthony Bourached, co-founder of Oxia Palus. “We thought it emphasised the extreme value of our technique, to bring to light artists and work that didn’t get the visibility they deserved.”

The hidden painting is of a garden believed to be the Parc del Laberint d’horta near Barcelona. A machine learning program scanned several Rusiñol paintings and, combined with a height map (essentiall­y a 3D print) enabled paint to be layered onto canvas and the textures of brushstrok­es to be replicated.

A second Neomaster has leveraged hundreds of Amedeo Modigliani works to reveal the portrait of a woman believed to be his lover, Beatrice Hastings, hidden under his 1917 work, Portrait of a Girl.

“These paintings are the first of an era of reinterpre­ting and resurrecti­ng art that will lead to a better and deeper understand­ing of our history and culture,” says Bourached.

Limited edition paintings on canvas of both Neomasters are priced from $11,111 (about Rs 8.2 lakh). “There are thousands of lost artworks ready to be rediscover­ed,” says Scott Birnbaum, co-founder of MORF.

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 ??  ?? X-ray and infrared tech show that beneath Picasso’s The Crouching Beggar (below) is Parc del Laberint d’horta (above), a work by Catalan Modernist Santiago Rusiñol.
X-ray and infrared tech show that beneath Picasso’s The Crouching Beggar (below) is Parc del Laberint d’horta (above), a work by Catalan Modernist Santiago Rusiñol.

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