HT Cafe

‘SUCCESS IS REALLY OVERRATED’

Sushant Singh Rajput says he has “no point to prove”; adds that his niece thought he was lying about his shoot with supermodel Kendall Jenner

- Prashant Singh You completed four years in the industry this February. Has the journey been eventful or more of a learning experience? Do you ever feel you ought to deliver hits at the box office to be called a successful and good actor? Recent stories ab

He speaks his mind fearlessly, isn’t looking to fit into the archetypal mould of a Bollywood hero, and is treading his own path. Still, Sushant Singh Rajput (above), who started his Bollywood career just four years ago, has created a niche for himself. “Success is very subjective,” says the actor, as he talks about life, career, his new film Raabta, and his journey so far. Experience is all that I work for. I crave for new experience­s that are not diluted by any worries for the future. So, my four years of working in the industry have largely made me two things — one, totally fearless about the consequenc­es [of a film], and second, genuinely excited about my work. I know that I am a good actor. So the idea is not to prove anything, but just to reinvent and improve myself, and have fun in the process. As far as being successful is concerned, that’s very subjective. I was successful the day I started working without giving a s**t about success. Honestly, it does affect me. To admit to not having an opinion due to lack of informatio­n is an honest and a graceful thing to say, and it should be acknowledg­ed that way. But these days, all they [media] want are talking points. Everyone wants their films to do well, so, I also want that. But there is no point to prove, goals to reach, or reputation to hold on to. In our industry, success is really overrated, as there are only a handful of films every year that we can be genuinely proud of. But [box office] failures are under-appreciate­d even when they help us decipher what we did wrong, and help us try to make better films [in the future]. Nepotism is just not about outsiders finding it hard to score films and insiders getting projects easily. It is also about how your successes and failures are perceived and magnified. In that way, it exists and anyone saying that it doesn’t has to be blind or really powerful. But I have no complaints, and I’m genuinely grateful for the opportunit­ies I’ve had.

BOLLYWOOD

Do you think you have found your footing; or your niche?

Presently, all the five films that I’m doing are the ones that I want to do. So, technicall­y, yes, I have [found my footing]. But, the day my films don’t work, I won’t have offers that I really want, and so, I would lose my footing. But the key is to keep walking, falling and getting up.

How much does the success or failure of a film affect you?

Success and failure would definitely have different repercussi­ons. You have to deal with them accordingl­y. I worked really hard on Detective Byomkesh Bakshy (2015), but it didn’t start well on Friday. I was upset during the weekend, but on Monday, I was completely fine as if nothing happened. Similarly, I worked equally hard on the Dhoni biopic, and it had a fantastic opening on Friday. But, I was again normal by Monday. So, I can’t screw up the six months that I give for a film for such a spike of highs-and-lows for just a weekend.

By now, are you used to the pattern and preparatio­ns of a new film’s release?

Now, I actually have two jobs. One is a very personal process, which is to do with the performanc­e. As far as this job is concerned, I keep reinventin­g my process so that I don’t get bored. My second job is that of a salesman wherein I’ve to sell the film. This guy tries his best to sound extremely energetic and have the conviction. However, it’s something that I’m still working on (smiles).

Was it doubly challengin­g to work on Raabta, since it is a contempora­ry romantic film with a reincarnat­ion angle?

Yes, because an actor has to create this illusion that he is a different guy in a film and that is a delicate job. So, if one is supposed to portray two characters in two hours, you better know your job properly so that you are convincing in both roles. In the film, both the characters that I play are diametrica­lly opposite each other. I’ve ensured that they are different and convincing at the same time.

You have been making news because of your rumoured relationsh­ip with your Raabta co-star Kriti Sanon. Does it ever get frustratin­g?

I’ve realised that these kind of stuff would keep happening. Not only do I have to put up with my personal life being discussed openly, I also need to laugh along. Now my high is to find how innovative these fictional stories could be (laughs).

Looking at other actors, especially your contempora­ries, do you ever feel that you need to do more films?

I’m already doing more films that I thought I could ever do in a year. I think I am improving a lot (smiles).

You seem to be mixing up your film choices nicely. You are putting a lot of thought to it?

I am actually not thinking a lot. A lot of paralysis happens because of analysis (smiles). I actually act as a myopic. I think really hard as to what film I should do to make six irreversib­le months of my life exciting.

You’ve also fulfilled a childhood dream of buying a Maserati Quattropor­te recently. Do such things bring happiness to you?

They don’t bring a great deal of happiness, but this one genuinely felt like taking off a huge burden of a [longstandi­ng] dream. When I was in the fourth standard, I would play with a blue miniature Maserati. I always wanted to own a real one. I still have that [miniature model]. So getting the car was like getting rid of the 20-yearold burden.

Not only do I have to put up with my personal life being discussed openly, I also need to laugh along. SUSHANT SINGH RAJPUT, ACTOR

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 ?? PHOTO: PRATHAM GOKHALE/HT ??
PHOTO: PRATHAM GOKHALE/HT

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