HT Cafe

BOLLYWOOD HAS STRUCK A REAL DEAL

ThiThis yeear, over half a dozen Hindi films ithh reallife connect have hit bull’s yye at the box office. We find out how BTown’s love affair with true ales is paying rich dividends

- Pra P ashanth Singh prashant.singh@htlive.com

Clearly, the first half of 2018 has been — as trade experts put it — “nothing less than splendid” for ollywood. The list of bona fide ts/blockbuste­rs t includes lm ms such as Pad Man, ad dmaavat, Raazi, Raid, Par rmanu and now Sanju. Int terestingl­y, most of the suc ccessful movies this year hav ve a common link: the reallife connect (they are either based on true stories or have been biographic­al).

RELATABILI­TY QUOTIENT

Interestin­gly, even Hichki was an adaptation of Brad Cohen’s utobiograp­hy u titled Front of he h Class: How Tourette Sy yndrome Made Me the Te eacher I Never Had. October’s st tory was inspired by personal ex xperiences of filmmaker Sh hoojit Sircar and writer Juhi Ch haturvedi. “As audiences, we are inclined towards real stories since these are the people we have read or heard about and sometimes even interacted with. So, we can relate to such worlds easily,” says trade analyst Taran Adarsh.

The coming days will also have films such as Soorma, Gold, Thugs of Hindostan, Paltan and Kedarnath releasing, all of which are either biopics or inspired by true stories. Last year, too, movies like Toilet: Ek Prem Katha and Jolly LLB 2 took cues from the real world. “Be it ancient history or modern day world, India is replete with interestin­g and engaging tales,” says exhibitord­istributor Akshaye Rathi. “With such stories, relatabili­ty factor is very high as these people are like you and me.”

Rathi seems to have a point, as next year’s box office seems chock-a-block with ‘real’ elements. The list includes Super 30, Son Chiriya, Gully Boy, Kesari, Panipat etc., besides several biopics that are in various stages of production. “If a film can be made in an interestin­g manner on such subjects, my question is, ‘why not?’ It’s always thrilling to watch a real story unfold,” says Adarsh.

FIXED FORMAT

Filmmakers feel there are pros as well as cons with regard to real-life stories. “Yes, you get a ready-made storyline but structurin­g it can be challengin­g and the same holds true for Sanju as well. Also, unlike a fictional story, here you can’t change things such as a climax just because you don’t like it. Certain things can’t be fiddled around,” says Sanju director Rajkumar Hirani. Raid director Raj Kumar Gupta adds, “When I heard Raid’s narration, I knew this story needed to be told. We do put some fiction in it [real-life stories] to make it entertaini­ng but the focus is to make the stories connect with the audiences.”

But actors, on their part, admit that real life stories come with their set of challenges. Vis-à-vis playing Sanjay Dutt, Ranbir says, “It’s my interpreta­tion. But we were very careful. I didn’t want it to look like mimicry because then it would really be jarring. Things became double hard for me since I worked in a biopic on a real-life person who is still relevant. It wasn’t about a sports star, politician or someone who is dead.”

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Clockwise from top: Stills s from Sanju, Raazi, Raid, Padmaavat, and Parmanu u
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