ENTERTAINMENT
Actor criticises the age old traditions of masculinity with his debut film
Jonah Hill who made his directorial debut with a film titled Mid90s, says he wanted to fight traditional masculinity with his movie. Hill says that he wanted to showcase how harmful misogyny can be.
Famous for the “bro comedies” in his early career, now actor Jonah Hill wants to challenge traditional concepts of masculinity with his directorial debut film about a group of troubled young skaters in 1990s Los Angeles.
Mid90s (2018), a coming-ofage movie presented at the Berlin Film Festival, follows 13-year-old Stevie who, beaten by his older brother, seeks solace in a group of troubled skaters hanging around a shop, smoking and making crude jokes.
The shy boy becomes a troublesome teenager spiraling out of control as he starts drinking and smoking, steals money from his mother and hooks up with an older gi at a party in an attempt to fit i with his cool new friends. At one point, he tries to kill himself with the cord of a games console. Hill said he wanted to show how harmful the boys’ often misogynistic and homophobic spoken language is, and explore how their inability to express emotional pain led to bad decisions.
“In America at that time i the 90s, traditional masculinity was not to show emotion, not to show sensitivity, not to show vulnerability because its feminine or, God forbid, gay do so,” said Hill, who wasw born in 1983 in Los Angeles.
“We’re kind of not saying what we mean and we’re no actually expressing what’s happening here ... I just wanted to show that that’s problematic,” he said at a n conference.
Stevie desperately wants to be like the older boys and stays up late at night practising skateboarding techniques. He recklessly copies a stunt he has not yet mastered and ends up with a bloody head when he falls off a roof.
Hill, 35, said he spent his 20s doing what he thought others wanted him to do. Though he loved movies like Superbad that he starred in, yet they depicted “bro comedy” or “bro masculinity”. So, he wanted to do something different now.
“As I go forward as an artist, I can take all these kids that were raised the same way as I was, learning the same lessons, and help illuminate why maybe some of them weren’t the best lessons in the entire world,” he said, adding that he hoped that Superbad fans would join him for the ride.
Hill has moved on from his early days as a funnyman to play more serious roles in The Wolf of Wall Street (2013) and Moneyball (2011).
Despite underlying seriousness, there are elements of comedy in his new film. It transports the audience back to the 90s world of video games, discmans, baggy Tshirts and music from the likes of Nirvana and Seal.
Stevie ends up in hospital after one of the drunk skaters crashes the car while driving the crew to a party. His mother had previously railed at them for being a bad influence, but is moved when they all show up to visit him in hospital. “There’s tons of movies about youth that I felt depicted the rawness of growing up, but what I hope to add in this film at least was like also a real sense of hope even within ugliness,” said Hill.
As I go forward as an artist, I can take all these kids that were raised the same way as I was, learning the same lessons, and help illuminate why maybe some of them weren’t the best lessons in the entire world. JONAH HILL, DIRECTOR