HT Cafe

THE LAND OF FIRE AND FUEL

The essence of Europe and Asia is seamlessly woven into the tapestry of Baku

- GEETIKA JAIN

It’s a blustery morning in Baku, the capital of Azerbaijan, and from my high vantage point, I have a sweeping view of the silvery Caspian Sea, a crescent of flamboyant architectu­re of the oil boom era and the old citadel with its ancient wall, minarets and domes. Behind me stand the three impressive flame-shaped towers which are symbolic of ‘The Land of Fire’.

Fuad Akundov, my engaging guide, is delivering a nugget a minute, and he ventures a descriptio­n; ‘Today, Baku looks like Paris, with the layout of Naples, a citadel that reminds you of Damascus, and the winds of Chicago!’

The old city, once a sleepy backwater, came to life because of its harbour and its key position on the old trading routes. Natural flames have emanated from the ground for millennia, and it is said that before the Arab conquest in 861 CE, these folks were fireworshi­pping Zoroastria­ns.

My visit the day before to Yanardag, situated on the outskirts of Baku, where I warmed my hands on a strip of fire along a hillside that has been around for 3000 years, was followed by exploring the nearby Ateshgarh temple, built and added to by Indian traders from 1710-1813. Now a museum, the structure still has sacred fires burning in the sanctums, and the Gayatri Mantra playing in one of the chambers. A busload of visitors from India decanted and flowed right in. I learned that back in time, Brahmins came here to ‘seek their physical death in the land of holy flames in order to achieve spiritual immortalit­y’.

Interestin­gly, the very first oil tanker built and used by the Nobel brothers here in Baku in 1879 was named Zoroaster. Today’s Baku is an oil-enriched, gleaming city of impressive art galleries, world-class restaurant­s and magnificen­t modern architectu­re such as the Heydar Aliyev Centre designed by Zaha Hadid, the

Carpet Museum with a halfrolled Azeri rug for a roof, and the triad of Flame Towers that house offices, apartments and a hotel. At night, they’re lit by the LED lights and resemble red-hot flickering flames, a fitting motif for the city.

Even more impressive are Baku’s hospitable and thoughtful denizens, who chose, despite being a Muslim majority, to remain secular and embrace all religions.

Here, Jazz and traditiona­l Mugam music are played side by side, wine and pomegranat­e juice are equally venerated, and Asian and European values are both woven into the fibre of their being.

You can follow Geetika Jain on Instagram @geetikafor­est

 ?? PHOTOS: GEETIKA JAIN ?? The Flame Towers in Baku, Azerbaijan
Artist Faig Ahmed’s reimagined carpet installati­on at the Heydar Aliyev Centre
PHOTOS: GEETIKA JAIN The Flame Towers in Baku, Azerbaijan Artist Faig Ahmed’s reimagined carpet installati­on at the Heydar Aliyev Centre
 ??  ?? The Heydar Aliyev Centre designed by Zaha Hadid Architects
The Heydar Aliyev Centre designed by Zaha Hadid Architects
 ??  ?? Yanardag, a natural fire burning since 3,000 years
Yanardag, a natural fire burning since 3,000 years
 ??  ?? The Shirvanshi­r Palace and homes in Baku’s old city
The Shirvanshi­r Palace and homes in Baku’s old city
 ??  ?? An installati­on at the Yatim Project Space in the Old City
An installati­on at the Yatim Project Space in the Old City
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