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Why isn’t Bollywood talking about LGBT law review, asks Onir

- Rishabh Suri rishab.suri@htlive.com

The Supreme Court’s move to review a 2013 decision on Section 377 has given hope to the LGBTQ+ community (lesbian, gay, bisexual, transgende­r, queer and more), including Bollywood personalit­ies who belong to or support that community. However, the fact that no one in Bollywood is talking about this, surprises film-maker Onir, who is openly gay and a vocal advocate of LGBTQ+ rights.

“The [wait for] the Supreme Court’s verdict has been trending for so many days, yet Bollywood’s influentia­l trendsette­rs, idols and opinion-makers are not talking about it,” says Onir. The review gives hope to the community that homosexual sex may be decriminal­ised. In 2013, the SC had overturned Delhi High Court verdict of 2009 that held Section 377 as “unconstitu­tional”. Since then, activists have been filing petitions for a review. And now, the review is under way.

Onir has directed films such as My Brother… Nikhil (2005) and I Am (2010), which talked about same-sex relationsh­ips. He says, “Why should only the LGBTQ+ community be speaking up about this? I don’t understand what keeps people from talking about it.”

He adds that people try to time their solidarity with such issues only when they have a film release around the corner. “I’ve seen people interact with the LGBTQ+ community during their film’s release, when they hold special screenings for the community,” says Onir, adding, “This issue is such a big thing, it’s not possible that it doesn’t affect or touch anyone [in the industry].” Onir also reveals that films dealing with same-sex relationsh­ips don’t find many takers. “I won’t blame just Bollywood; it’s the entire system. Satellite channels don’t want to buy it; it took me eight months to get a U/A certificat­e for Shab (2017). Your release becomes difficult, because there’s a huge section of the audience that’s homophobic. People say ‘YouTube pe daal do’, but who’s going to pay for it? People don’t understand there’s huge economics involved [in making a film]. You won’t have such films coming out until there’s support from within the industry,” he signs off.

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