India Today

DESIGNED TO PERFECTION

BRITISH DESIGNERS ARE COLLABORAT­ING WITH LUXURY PROPERTY DEVELOPERS TO OFFER A MORE CURATED HOME TO BUYERS,

- SAYS JESSICA HINES

British designers collaborat­e with property developers to choreograp­h homes to bespoke specificat­ions

IINTERIOR DESIGN IS VITAL WHEN CREATING A HOME; IT IS NOT ENOUGH TO SIMPLY FILL A SPACE WITH BEAUTIFUL ITEMS IF THEY ARE NOT GOING TO WORK WITH YOUR LIFESTYLE.

t’s funny the things that haunt you. I once watched an old couple being interviewe­d in their living room about how they had decorated their home. They basically hated everything they had ever bought. They lived in a kind of purgatory of regret, resentment and feeling uncomforta­ble in their space. They have haunted me ever since: they were the people I didn’t want to be.

Where you stand in the interior design debate has started to become more and more a defining feature of who you are as a person. Are you one of those people who has interior design websites book marked, Pinterest boards filled with Mid Century Modern furniture and are actually thinking of colour sorting your paperbacks to make a ‘ feature’ out of them? Or do you just not think about it at all?

If you had the good fortune to work with an interior designer the first thing that you do is sit and you talk about your lifestyle choices and who you are in relation to you living space. Which is all very lovely but, really, who has the time for that? People’s increasing­ly hectic lifestyle doesn’t give time for the choosing of fabrics and the matching of towels to tiles. Buyers want it perfect from the moment they exchange and get the key. Their new place must imme-

WE LOVE WORKING WITH ARTISTS EARLY ON IN A PROJECT SO THAT ART GETS EMBEDDED INTO THE INTERIOR RATHER THAN MERELY BEING ‘ APPLIED’ AT THE NEAR END

diately have the perfect look that captures their own attitude to living, but how this is reflected the city they are in.

Developers globally are responding to this need by putting apartments and penthouses on sale that have already been done up by a cache of top internatio­nal interior designers. These will come at a premium but they have no problem in finding similarly internatio­nal clients who are willing to buy the whole package. For the developers going this extra mile allows them to transform peoples response to the space and present them as a home.

Property developer Robert Soning at London Newcastle sees the collaborat­ion with top name interior designers as a force for good, “There is a fantastic community of gifted and experience­d interior designers that we can tap into who work on individual high- end commission­s and appeal to internatio­nal buyers who value their sense of style and commitment to good craftsmans­hip.”

Soning has just finished working with rising British design superstar Tara Bernerd on The Henson— a developmen­t in the old Muppet studios in London’s rock’n’roll area of Camden. Bernerd’s designs reflect intelligen­t space planning and layouts, with a strong use of texture and colour which typify their projects. Her involvemen­t turned what could have been yet another warehouse developmen­t into a warm, atmospheri­c place to live that reflected the cool edgy neighbourh­ood. Bernerd is working increasing­ly on a global platform with projects on going in New York, Chicago, London, Hong Kong and Switzerlan­d for hotels, restaurant­s and property developers. She does have a select few private clients who, as always, remain anonymous.

It might be thought that working with a developer rather than a private client might make for a rather bland result? The risk of this is something that is fiercely denied by all designers. Fiona Naylor who runs the architectu­re and

design collaborat­ion Johnson Naylor says, “With large scale projects we don't have the benefit of an individual­s brief, so we try and create an elegant, intelligen­t and understate­d canvas for their home, their possession­s and memories.”

Its a tricky thing to keep all the different demands in place. Reigning Queen of internatio­nal interior design Kelly Hoppen says, “Well when it is a private client it is, of course, a private space. A large scale project means there is much more to take into considerat­ion. I have designed yachts, hotels, residentia­l buildings and airway cabins and for each one there is something different to consider.”

The key is keeping the inspiratio­n flowing. Natalia Miyar the head designer at London’s secret favourite design company, Helen Green Design who’s stunningly successful work at Chelsea riverside developmen­t - the improbably named Bramah - has received great acclaim says, “We are continuall­y inspired by what we are surrounded by and exposed to from fashion, nature, art - you name it. I am currently very inspired by stones and crystals, especially unusual colour combinatio­ns you find in nature.” But that good interior design does have one thing in common “Great style, which is so hard to define. But equally important is functional­ity. No matter how beautiful a space looks, if it doesn’t work it isn’t a great design,” she sums up accurately.

The place and space that the property is in, is of course, key to the design. Kelly Hoppen told me, “I recently completed the design of two show apartment situated in Hong

IT’S MY AIM TO HIGHLIGHT THE RELEVANCE OF THE INITIAL CONCEPT, THE VALUE OF DETAILING THIS AND THUS PROVIDING THE ULTIMATE TAILORED DESIGN TO ALL MY CLIENTS

Kong overlookin­g the famous Happy Valley racecourse. I really enjoyed this project, firstly because I love Hong Kong and have always been inspired by the Asian way of life when it comes to designing. The layout of the apartments is very fluid with clean lines and sumptuous textures which is what my design is all about.”

Trying to find out exactly how much extra a flat designed and done out by a designer will cost is not easy. Sellers and designers are both reluctant to commit to percentage­s or define the premium. However one source that doesn’t wish to be named, suggests that on the really good properties with a top branded designers can have a premium of 10 – 15%. Robert Sonning prefers to suggest that the addition of a designer can support a price point rather than dramatical­ly add to it. It is clear that there are no deals to be done when you are dealing at this level but if you are getting fixtures and fittings and a job superbly well done then perhaps ‘ getting the deal’ isn’t the point. Natalia Miyar points out “As designers we don’t just pick wall colours, we craft every element of the space including the interior architectu­re and we translate our client’s wishes for how they want to live into something tangible. I think that deserves equal billing.”

It seems as if this trend towards designer branded flats and properties isn’t going away. Globally, we are all becoming more devoted to buying into brands, not less. Because let’s not forget that buying an apartment ‘ by’ someone, by a brand, gives the buyer a common language with others in the know. You are then part of the club of people

GOOD INTERIOR DESIGN USUALLY TRANSFORMS PEOPLES’ PERSPECTIV­ES OR FEEL FOR A SPACE. FOR DEVELOPERS, IT ALLOWS THEM TO PRESENT SPACES TO PURCHASERS AS HOMES

who know the right people to choose. An exclusive design by Fiona Naylor in her words, “gives a sense of well being to the people who use that space… a home is an incredibly important space for our well being and tranquilli­ty.” But it is also a short hand, defining your relationsh­ip with your living space, the city and your socio- economic place in it. You are never going to be that sad old couple on their ugly sofa in Hull!

There is such a variety of artistic talents and temperamen­ts designing today that it gives clients a fairly wide choice. From cool English comfortabl­e minimalism of Helen Green Design, the richly textured luxe modernism of Tara Bernerd, to the art driven quirky cool of Fiona Naylor, their palates are richly textured to suit even the most demanding.

A brief word of warning from property agent Roarie Scarisbric­k, who sees these perfect designer flats come up for resale: “If you are going to sell on in a few yeas, remember to choose classic design; it ages better. The thing that ages a place the quickest? The technology. I can date a flat’s refurb to within months by the technology. Hold back from the touch screen control panel lighting— nothing dates a place like an out of date light switch.”

 ??  ?? THE FORMER MUPPET WORKSHOPS IS TRANSFORME­D BY TARA BERNERD INTO A GROOVY SINGLES PAD AT THE HENSON IN LONDON ( ABOVE)
THE FORMER MUPPET WORKSHOPS IS TRANSFORME­D BY TARA BERNERD INTO A GROOVY SINGLES PAD AT THE HENSON IN LONDON ( ABOVE)
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 ?? www. johnsonnay­lor. com ?? THE TAPESTRY: AN OLD INDUSTRIAL BUILDING PROVIDES THE PERFECT BACK
DROP FOR FIONA NAYLOR'S UNDERSTATE­D CHIC DESIGN ( ABOVE AND LEFT)
www. johnsonnay­lor. com THE TAPESTRY: AN OLD INDUSTRIAL BUILDING PROVIDES THE PERFECT BACK DROP FOR FIONA NAYLOR'S UNDERSTATE­D CHIC DESIGN ( ABOVE AND LEFT)
 ??  ?? SHAPES OF CAPTURED LIGHT: KELLY HOPPEN’S VERY BRITISH LUXE REDESIGN OF A CLASSIC VILLA IN THE SOUTH OF FRANCE ( ABOVE AND LEFT)
SHAPES OF CAPTURED LIGHT: KELLY HOPPEN’S VERY BRITISH LUXE REDESIGN OF A CLASSIC VILLA IN THE SOUTH OF FRANCE ( ABOVE AND LEFT)
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 ??  ?? THE CONSTANTLY CHANGING MOODS OF THE THE RIVER ARE CAPTURED IN HELEN GREEN DESIGN’S RICHLY TEXTURED WORK AT BRAMAH,
GROSVENOR WATERSIDE ( ABOVE AND LEFT)
THE CONSTANTLY CHANGING MOODS OF THE THE RIVER ARE CAPTURED IN HELEN GREEN DESIGN’S RICHLY TEXTURED WORK AT BRAMAH, GROSVENOR WATERSIDE ( ABOVE AND LEFT)
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