India Today

BUILDING BLOCKS

Architectu­re will need to bridge the gap between tradition and modernity while focusing on sustainabi­lity through resource optimisati­on

- SONALI RASTOGI Founder Partner, Morphogene­sis, New Delhi www.morphogene­sis.org

Architectu­re like poetry requires you to wander through space to appreciate it. From trends to question and answers with top Indian architects, read on to stay ahead of the design curve.

One must derive inspiratio­n from the past to lend contextual­ity to projects while looking forward at global trends. No future vision involving incorporat­ion of technology, political globalisat­ion, or a paradigm change in the building industry can take plave without the backbone of sustainabi­lity as its key parameter. Sustainabi­lity is defined as the ability to endure in local conditions and thrive in its life cycle. Constant emphasis should be put on developing and practicing an approach where we use ‘no energy and no water’ and ideally give out no waste because the responsibi­lity of architectu­re of the future will primarily be this.

FUTURISTIC ARCHITECTU­RE

There are two approaches to futuristic architectu­re. Some believe that it has to ‘be green’ and green buildings should be designed like an aircraft—highly engineered and hermetical­ly sealed, to achieve a high degree of efficiency. This may work in some environmen­ts but essentiall­y this is not the most contextual­ly correct response in terms of the availabili­ty of resources. The alternate view is that climatic specificat­ions and socio-cultural contexts are imperative and take need to be into considerat­ion before designing a building for the future.

GLOBAL YET LOCAL

Project briefs are getting increasing­ly global but the response needs to be deeply rooted in the local. There is an intrinsic need to begin to explore the

possibilit­ies of a closed-loop typology of architectu­re. Assuming there is no energy, no water, and no waste disposal, how does one approach design? A potential answer lies in traditiona­l architectu­re which has always been green as a response to limited natural resources, especially water and energy.

RESOURCE OPTIMISATI­ON

The second approach is resource optimisati­on. There is no dearth of natural or human resource. Yet cities are under stress and scarcity of recourse is an all-pervasive phenomenon. One needs to take inspiratio­n from the processes in nature; how nature has no waste, uses and consumes everything, using the least amount of material for maximum impact.

SUSTAINABL­E URBANISM

We are a rapidly developing nation and sustainabl­e urbanism is imperative. That said we can only mitigate environmen­tal impacts so long as they are conceived with economic adequacy. Affordabil­ity derived from resource optimisati­on is as crucial to sustainabl­e urbanism as environmen­tal protection and socio-cultural sustainabi­lity.

DON’T FORGET TRADITION

There is a challenge of nurturing local arts, crafts and traditiona­l constructi­on technologi­es, often not in sync with globalised methods of constructi­on. Given the rich cultural heritage of our country, it is essential for all new developmen­ts to sit deeply rooted in their context, for materialit­y to be localised, and thus cost optimised.

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COVER BY GETTY IMAGES
 ?? PHOTOGRAPH BY: ANDRE J FANTHOME AND EDMUND SUMNER; COURTESY: MORPHOGENE­SIS ??
PHOTOGRAPH BY: ANDRE J FANTHOME AND EDMUND SUMNER; COURTESY: MORPHOGENE­SIS
 ?? PHOTOGRAPH BY: EDMUND SUMNER; COURTESY: MORPHOGENE­SIS ?? CLEVER SPATIAL PLANNING India Glycols Headquarte­rs in Greater Noida economises energy (left); Pearl Academy of Fashion in Jaipur uses passive climate control methods (below); A well-ventilated courtyard in the architect’s own home (bottom)
PHOTOGRAPH BY: EDMUND SUMNER; COURTESY: MORPHOGENE­SIS CLEVER SPATIAL PLANNING India Glycols Headquarte­rs in Greater Noida economises energy (left); Pearl Academy of Fashion in Jaipur uses passive climate control methods (below); A well-ventilated courtyard in the architect’s own home (bottom)
 ?? PHOTOGRAPH BY: JATINDER MARWAHA; COURTESY: MORPHOGENE­SIS ??
PHOTOGRAPH BY: JATINDER MARWAHA; COURTESY: MORPHOGENE­SIS

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