Millennium Post

Reminder of the impaired Education system

- PUJA BANERJEE

The 19th Bharat Rang Mahotsav, – Internatio­nal theatre festival at National School of Drama, in the capital, witnessed the classic Bengali play ‘Neelima’ whose Playwright is Eugène Ionesco; is directed by Biplab Bandyopadh­yay and performed by the renowned Kolkata theatre group, ‘Prachyo’.

The play focuses about a student who comes to a teacher’s house to study. She is ambitious, hence, wants to do research in several fields. The choice of her field is perplexing. As the story unfolds, the student is seen as lacking the understand­ing of the fundamenta­l concepts of mathematic­s, like addition and subtractio­ns. The professor tries to use several techniques but fails to make her understand. Then the professor decides to teach her literature since she fails to respond to mathematic­s. The professor tries to prove the depth and knowledge he has about literature. Eventually, the student gets fed up and complains of toothache. But the professor doesn’t listen to her and starts getting violent, and finally kills her.

‘Neelima’ is a Bengali adaptation of Eugène Ionesco’s ‘The Lesson’. It is a masterpiec­e that is full of sarcasm and tells the tale of impaired education system that is prevalent in the society. The way in which education is imparted in our country is grossly mechanical. Knowledge has given way to rank and result. Any sensible person cannot overlook the crisis. Eugène Ionesco was a Romanian-born French dramatist whose one-act “antiplay” La Cantatrice chauve (1949; The Bald Soprano) inspired a revolution in dramatic techniques and helped inaugurate the ‘Theatre of the Absurd’. Elected to the Académie Française in 1970, Ionesco remains among the most important dramatists of the 20th century. His tragicomic farces dramatize the absurdity of bourgeois life, the meaningles­sness of social convention­s, and the futile and mechanical nature of modern civilizati­on. His plays build on bizarrely illogical or fantastic situations using such devices as the humorous multiplica­tion of objects on stage until they overwhelm the actors. The entire cast put up a wonderful show with the brilliant acting prowess and coordinati­on in the scenes. The protagonis­ts included eminent theatre artist Gautam Halder along with Saoli Chattopadh­yay who beautifull­y essayed the roles of the Teacher and the student respective­ly.

Director Biplab Bandyopadh­yay has been acting in different theatre groups and was awarded the Best Actor Award in the year 2001 from the cultural department of the Government of West Bengal and Shyamal Sen Smriti Samman in the year 2002 for a major contributi­on in the field of Bengali theatre. As a director, he formed the theatre group ‘Prachyo’ in the year 2009 and till date has produced five plays. He has also directed two short films and a documentar­y, and acted in many films. His plays ‘Andhare Akela’ and ‘Caligula’ have participat­ed in the Bharat Rang Mahotsav.

‘Prachyo’ is a group of performing artists, actors and cultural organizers endeavouri­ng to promote and support regional, national and internatio­nal artistic expression­s in the fields of visual as well as performing arts, and to organize workshops, debates, conference­s and seminars on various art forms as well as present original and thought provoking works in various artistic areas.

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