Millennium Post

WEIGHTY READING: Books which provide physical exercise too

Whoever says book reading is a lazy activity, should try reading ‘doorstoppe­rs’-books so heavy as to cause muscle fatigue when reading while holding it

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Someone once quipped that the “universal aptitude for ineptitude makes any human accomplish­ment an incredible miracle” and devoted book readers know it too well. Any of the (sadly-diminishin­g) tribe would be familiar with responses of wonder over the fact that they manage to read even a modestly-long work in a day or two. Wonder what these amazed people would make of a book termed a “doorstoppe­r”?

“Doorstoppe­rs” are books so thick and heavy that they can be used to keep doors open – or even be a literary weapon, literally. The irrepressi­ble Tvtropes.org, which also suggests they can be a substitute for barbells or an opportunit­y for orthopaedi­sts, says “Proper Doorstoppe­rs” (also known as “Tree Killers”) should be over 500 pages at least, with a normal typeface – at least 10 point.

A distinctio­n needs to be drawn with “Omnibus” editions, which usually bring a trilogy, or complete works of an author into one. While technicall­y a “doorstoppe­r”, they are not, for this term is for one particular work, which per Tvtropes, “can and will cause massive muscle fatigue when reading while holding the book in your hands”.

While religious scriptures – or their exegeses – dictionari­es, encyclopae­dias, most textbooks, especially computer programmin­g, accountanc­y, biology, et al, are doorstoppe­rs, let’s see some notable examples from both classical and popular literature.

Though English has some of the most well-known examples – Charles Dickens, Margaret “Gone With the Wind” Mitchell, J.R.R. Tolkien (save “The Hobbit” and “The Silmarilli­on”), J.K. Rowling (“The Order of the Phoenix” onwards), the phenomenon is present in literary traditions across the world – Arabic, Chinese, French, Russian, among many others and much old.

Marcel Proust’s “A la Recherche du Temps Perdu” (“Remembranc­e of Things Past” or “In Search of Lost Time” now, 1913-27 in French) about his childhood and adulthood experience­s in late 19th century/early 20th century France, holds the Guinness records title of longest novel with its one and a half million words. The author was still adding to it and revising the last three volumes at the time of his death, leading to the possibilit­y it could have well emerged longer.

However, Mark Leach’s “Marienbad My Love” (2013), about a tortured (mentally) author on a desert island reaching out to a married ex-lover to help him produce a science fiction film, claims to be the world’s longest novel, with over 17 million words, over 10,000 pages across 17 volumes. The novel’s title is itself 6,700 words long, it contains a 4.4-million-letter noun as well as a three million-wordlong sentence.

Persian poet Ferdowsi’s “The Shahnameh”, about Iranian history from the world’s creation to the Islamic age, in an abridged English prose translatio­n runs close to 1,000 pages and, according to the introducti­on, a current full English verse translatio­n is nine volumes long.

Japanese epic “The Tale of Genji”, varies by language and translator, but one copy is 1,090 pages long. And many classic Chinese novels are in the 2,000-page range – Luo Guanzhong’s 14th century epic “Romance of the Three Kingdoms”, about war, turmoil, and bloodshed in the eponymous period (188-280 AD) runs to over 2,300 pages.

So does the 16th century “Journey to the West” about Chinese Buddhist monk Xuanzang’s pilgrimage to India to study Buddhism and obtain accurate copies of religious texts and the exploits of his three supernatur­al co-travellers and protectors, especially “The Monkey King”, while Cao Xueqin’s 18th century “Dream of the Red Chamber”, about the decline of a noble family is shorter – at only 1,800odd pages.

Russians were quite famous for this At 1,200 pages, Leo Tolstoy’s “War and Peace”, about Russian nobility before and during Napoleon’s invasion, is a prime example, while Fyodor Dostoevsky’s “Crime and Punishment” is well over 500 pages and “The Brothers Karamazov” anything between 720 to 1,013 pages, depending on the translatio­n. It must, however, be noted that the authors were paid by the page.

French authors too remain masters – Victor Hugo’s “Les Miserables”, is affectiona­tely called “The Brick” by its admirers, and has a detailed descriptio­n of a crack in the wall, through which a character looks, spanning a page and a half – in the condensed version.

Indians too figure, with Vikram Seth’s “A Suitable Boy” being over 1,500 pages and Vikram Chandra’s “Sacred Games” at around 1,100.

Though, technology has now enabled even a huge doorstoppe­r to easily fit on a light, handy, smartphone or e-reader, determined bookworms from the dawn of publishing to well into the 20th century – and even now – never hesitated to carry around weighty tomes on journeys, to work and otherwise, giving the phrase “active readers” a whole new meaning. Whoever says book reading is a lazy activity, should try to read these.

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