Mint Mumbai

Apple’s iPad ad triggered our darkest fears of an AI takeover

It’s a tone-deaf stunner of an ad from a brand that gave us ‘1984’

- DAVE LEE is Bloomberg Opinion’s US technology columnist.

advance rapidly, promising to reshape almost everything it impacts, from global supply chains to the dynamics of global leadership and influence.

It is heartening to see these principles being applied to the recently launched India AI Mission. Government support for the developmen­t of local compute capacity, data systems, models, use cases and talent underlines the need for India to democratiz­e AI from the very onset.

In sum, the true measure of India’s technologi­cal prowess lies not just in its success stories, but in the way we have harnessed technology at scale to address the pressing needs of our vast and diverse population. Most importantl­y, in the way we have driven innovation to solve last-mile challenges so that nobody is left out of the benefits that a digital economy has to offer.

In India, we do not obsess about technology. We obsess about what it can do and the impact it can create at scale. This is the single biggest lesson the world must learn from India.

As we move beyond hype and towards reality, the next few years will be dedicated to harnessing AI’s capabiliti­es and putting them to work. Our primary focus will be on identifyin­g significan­t problems that AI can solve, and deploying it at scale. This shift will prioritize return-on-AI-investment, with a growing emphasis on governance and security as such technology becomes pervasive.

This is where India’s DPI learnings can be of value to other countries. Impact creation has long been the focus of India’s digital transforma­tion journey. From using deep-tech, satellite imagery and AI to improve agricultur­al productivi­ty to deploying tele-medicine solutions to bring healthcare to the remotest corners of the country, India has demonstrat­ed how technology can be a powerful tool for inclusive growth.

As many countries grapple with an economic slowdown and productivi­ty decline, they are expected to adopt AI at scale to boost output. India is prominentl­y positioned to help shape AI roadmaps that focus on inclusion and public impact. Learning from the developmen­t and population­scale deployment of technologi­es like Co-Win for vaccinatio­n and the Unified Payments Interface (UPI) for online bank transfers, India offers a narrative in which digital facilities are offered by a broad ecosystem and not by private monopolies. From climate change to healthcare for all, this approach can tackle some of the world’s steepest challenges.

As I look at the future, I see an India that is not only a tech superpower, but also a beacon of hope for technology resilience, innovation and determinat­ion. In other words, an India that is inevitable and unstoppabl­e.

Ifind it hard to believe that no one on Apple Inc’s marketing team saw this coming. Maybe they were too timid to speak up. Perhaps they were overruled. Surely someone [should have objected to] the grim imagery of the company’s latest iPad ad, in which a giant crushing machine squeezes a pile of beloved creative tools. First, a trumpet, buckling. Then paint splatterin­g everywhere. An upright piano, crushed, strings and hammers flying out with a horrific crunch. Camera lenses shattering.

The ad’s intended message was to suggest that all these wonderful tools could now be faithfully re-created using one of the new iPads announced last week. But many saw something different, and a backlash [was in evidence online before Apple chose to apologise: “We missed the mark with this video and we’re sorry.”]

“Thank you to Apple for providing this excellent visualisat­ion of how AI is made,” I half-joked on Threads. Others had the same thought. “Just a terribly cruel image,” one user wrote in response to chief executive officer Tim Cook’s post of the ad on Twitter. “How embarrassi­ng,” wrote artist HappyToast. “Apple have mixed up their new iPad advert with one for their AI tools showing all human creativity being crush out of existence.”

It was Apple’s worst marketing since it forced everyone to listen to U2. The ad speaks to our broad fears that recent drastic advancemen­ts in technology are a grave risk to the joy, authentici­ty and spontaneit­y of human creativity.

For decades, Apple’s advertisin­g has played on optimism around technology. Its iconic Orwell-inspired TV commercial

directed by Ridley Scott, showed Apple as the saviour of individual­ism against conformity—and we believed it (or at least, the people alive back then).

Later, consumers were treated to some excellent iPod advertisin­g, with those distinctiv­e white headphones dangling and a pumping soundtrack. It heralded a world where our treasured music was becoming easier to buy, listen to and take with us.

As Apple has matured, its advertisin­g has become mundane. Soft hues and cheerful scenes display the core features of the iPhone in an informativ­e if uninspirin­g manner.

With this latest effort, it seems Apple decided to get a little bolder to push its new iPads. As I wrote earlier in the week, the iPad is a product line in need of a shake-up, given falling sales and something of an identity crisis over what exactly it is meant to be used for.

Apple ended up running an ad campaign that, for want of a better word, triggered its audience. Over the course of Apple’s lifetime, public sentiment towards technology has changed profoundly. We’re now more sceptical about the longer-term harms to our well-being or the effects of tech-enabled political division.

The breakthrou­gh moment of ChatGPT in 2022 supercharg­ed our fears. For the first time, we were having serious discussion­s about what it might mean for us once a computer develops broad abilities to surpass even the brightest humans. Staring at countless unanswered questions, there seemed only one sure bet: the growing power of unstoppabl­e tech giants.

Apple is spending massively on AI initiative­s and has started trumpeting its products as being best-in-class for AI. We’ll hear more about the company’s AI work next month at its annual developers’ conference, where the company will be under pressure to show it hasn’t fallen behind Microsoft-OpenAI, Google and others.

In these early stages, the creative arts have felt more vulnerable than most.

More than half of American adults have concerns about the effects of AI on music, according to a recent YouGov poll, with the primary concerns being a lack of originalit­y and impact on the livelihood­s of human musicians. More than one in 10 adults said they would support AI artists.

Meanwhile, OpenAI and other AI creators are being taken to court over their brazen collection of work that does not belong to them and using it to train AI. Overall, a separate Pew study suggests, more Americans are concerned rather than excited by AI.

It’s staggering to think that Apple was unable to read the market. I doubt that the company intended it to be this way—I approached them for comment. A spokespers­on will probably say the iPad device is a friend of creativity as it lowers barriers to recording music or producing art.

This is true, of course, but it’s the bigger picture we’re talking about here. If Apple wants to sell stuff to creative profession­als, it needs to show it understand­s them. As a metaphor, the crushing machine has been a publicity disaster.

 ?? ?? The iPad’s ‘Crush!’ ad showed beloved creative tools being crushed
The iPad’s ‘Crush!’ ad showed beloved creative tools being crushed
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