The Asian Age

THE NIGHT EVERYBODY WON

THIS YEAR’S OSCAR NOMINEES WERE MORE DIVERSE THAN PREVIOUS YEARS, AS CINEMA TRIES TO EMBRACE INCLUSIVIT­Y IN THE FACE OF REAL LIFE DISCRIMINA­TION

- AGE CORRESPOND­ENT

A year after being criticised for “whitewashi­ng” the Oscars, the Academy of Motion Picture Arts and Sciences seems to have learned their lesson. The list of this year’s nominees was more diverse than previous years, and winners included films such as Moonlight, Fences and Hidden

Figures, with themes such as racial diversity and sexuality. While the US has seen a rise in incidents of discrimina­tion — this also shows how movies can shape and influence society, making it inclusive for all. Indian filmmakers voice their opinions.

A GLIMPSE INTO THE PEOPLE’S MINDSET

Awards are a way for communitie­s to gather together and respond to conversati­ons that they find most relevant. Cinema is constant negotiatio­n for larger impact, and is a way of sharing approaches, insights and world views of life. The awards are the communitie­s’ way of responding with reassuranc­e. The community takes a stand and responds to what it thinks is most urgent and most relevant. Within that framework, it sees how eloquently cinema is sharing its insights. Whether it be Indian mainstream awards ignoring really relevant films, or Academy Awards struggling to be as inclusive as possible, it gives a glimpse into the mindset of the people.

— ANAND GANDHI, director A FORM OF REASSURANC­E

Hollywood was always against Trump and his views, so this is not a surprise at all. A number of actors oppose Trump and his policies, and during his election campaign, Hollywood came out very vocally against them. They’re exerting a counter-balancing force against racism, and you’ll see a lot more of this across liberal America, even in the performing arts. They can’t change the

rhetoric — that comes from die-hard minds that are closed, and it cannot be opened by propaganda. But it (the movie industry) will make itself heard and send out a message to the rest of the world that America is not about racism, and that is a beautiful thing. We, who believe that America is still the “leader” in many ways for the world, need reassuranc­e, and this is a form of reassuranc­e.

— MANI SHANKAR, filmmaker A WIN FOR DIVERSITY

The fact that Moonlight won the Oscar (for Best Picture) shows that it is a win for diversity. The cynic in me wonders if this is a reaction to last year (when the Academy Awards had all-white nomination­s for two years in a row). Still, it is a great film. It takes a difficult and unusual story and portrays it in a very personal way. I think that’s what sets it apart from the others.

Hidden Figures also has a great storyline and appeals to everyone. We have also done something similar with Dangal. Both are stories of unsung heroes. It’s an amazing thing that these stories are now getting told in Bollywood. If we keep carrying on this way, there will soon come a time when we are at par with Hollywood.

— VIKRAMADIT­YA MOTWANE, director

INSTRUMENT OF SOCIAL CHANGE

Diversity is important not just for internatio­nal audiences but should be a part of the discourse here too. We fail miserably to represent diversity in the film industry. Movies are strong instrument­s of influencin­g social change. That’s why I feel the certificat­ion board is so paranoid. Movies influence social behaviour in positive and negative ways, and a lot of regressive stuff is being passed off as entertainm­ent.

Moonlight is not only about stories of people marginalis­ed because of colour and sexuality, it’s a beautiful lyrical film, well acted and well shot. I loved the background music and rhythm of storytelli­ng. Overall, it was a compelling film and an experience one takes back home.

— ONIR, filmmaker

GETTING PAST FORMULA-BASED FILMS

Most of our cinema works within a ‘compound’, trying formula-based movies. If anyone does try to break out of that, they are unfortunat­ely labelled as ‘art films’. Recently, a Tulu film titled Mudhipu spoke on the same lines but was termed as an art film. Slowly things are changing though. Such films — an honest attempt to bring change across the globe — winning big at the Oscars is great, and will immensely help filmmakers to talk more about sensible issues than just do films based on a set of formulae.”

—PAWAN WADEYAR, actor, writer and director CINEMA EVOKES THE CONSCIENCE

Films that talk about diversity — not just geographic­al but all kinds — you don’t watch them for entertainm­ent. They give us a deep-rooted understand­ing of the social fabric, even if they are stories of personal lives of few Americans. Such films have great impact on the audiences’ minds. When I went to various film festivals after Slumdog

Millionair­e had won several Academy Awards, people weren’t asking me about A.R. Rahman or the Indian actors, they were concerned about the welfare of Indian children and asked if horrible things happen to them in reality as shown in the film. Such films evoke conscience.

Today, the US is in a transit phase, but more than talks and media coverage, cinema is a potent tool to talk about diversity as it can't be contained by building walls and putting bans in this digital era. From a cinematic aspect, I loved Moonlight for its spectacula­r cinematogr­aphy, its ability to stay true to the story and some stunning performanc­es.

— NILA MADHAB PANDA, filmmaker CELEBRATE DIVERSITY

We should celebrate diversity in every possible form. The more we celebrate diversity, and the more it represents the globe. Being inclusive in every form is important. Cinema plays a major role and effectivel­y reaches larger audiences. Such movies making it big at the Oscars definitely underlines the cause.

— RAMESH ARAVIND, director

 ??  ?? (Clockwise from far left) Stills from Hidden Figures,
Moonlight and Fences
(Clockwise from far left) Stills from Hidden Figures, Moonlight and Fences
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