The Asian Age

How Google Street View became fertile ground for artists

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North Carolina, May 25: Google Street View celebrates its 10th birthday. A feature of Google Maps, it lets users explore cities and towns around the world — and even peer inside businesses and government institutio­ns (including the White House).

Games have sprouted out of Street View — like Geoguessr, in which players guess where in the world they’ve been randomly placed — while some users have documented funny images captured by the roving cameras of Google’s cars.

But Google Street View has also provided ample fodder for artists of all stripes, inspiring a range of creative works that include photograph­ic curation, music videos and impromptu performanc­es.

What, exactly, is it about Google Street View that makes it so appealing to creative types? Perhaps it allows us to experience the fantasy of what scholar Donna Haraway called “the God’s trick” – the impossible desire to see everything.

Never before have people had such easy, on-demand visual access to public spaces all over the globe, and over the past decade artists have wielded this immense power to comment on issues ranging from surveillan­ce to sex work.

The sheer magnitude of Google Street View’s allseeing power is a subject for some artists. Michael Wolf’s project “A Series of Unfortunat­e Events” curates arresting images from Google Street View, ranging from bike accidents to fires. Taken as a whole, Wolf ’s collection from Google’s vast archive gestures toward the vastness of the world itself. Taken individual­ly, his images are both haunting and familiar.

Sometimes Google Street View appeals to artists for more political reasons. There can be a real discomfort with the technology, given that it amounts to one of the most comprehens­ive surveillan­ce mechanisms in human history.

Jon Rafman’s ongoing project “The Nine Eyes of Google Street View” reflects the unsettling relationsh­ip between humans and surveillan­ce. (The “nine eyes” in the title refers to the number of cameras on the pole

Google Street View has provided ample fodder for artists of all stripes, inspiring a range of creative works that include photograph­ic curation, music videos, impromptu performanc­es

attached to the top of a Google Street View car, although the number has since increased to 15.)

In 2008, one year after the launch of Street View, Google incorporat­ed face-blurring technology to protect the identities of passersby captured by its cameras. But the technology isn’t without glitches. Rafman’s image of a man in a bunny costume with a blurred face next to a “real” person’s face draws an unsettling juxtaposit­ion; it’s a reminder that Google Street View is incapable of telling the difference between this masked person and you. In so doing, Rafman’s image exploits the most basic fear of mass surveillan­ce regimes: that you’ll be just another faceless entity.

Other artists have taken a different approach. Doug Rickard, in an exhibition called “A New American Picture,” documented the “forgotten streets” of America by curating images of the disenfranc­hised in their downtrodde­n neighborho­ods. Halley Docherty has used Google Street View to superimpos­e famous paintings and album covers on their modern settings (for example, the Beatles crossing the street on today’s Abbey Road). And Justin Blinder’s “Vacated” project turns Google Street View images into GIFs that alternate between before-and-after photos of gentrified street corners in New York City.

Then there are the people that try to act out scenes in front of the passing cameras. While they may not identify as artists, they respond with an artist’s impromptu, creative ingenuity. Everyday folks see the Google car approachin­g and think up a scene – a staged birth in Berlin or a staged death in Scotland – and quickly react.

After a decade, Google Street View is no longer new. But that doesn’t mean its potential for artistic action and interventi­on will subside.

As the platform collects more and more images of the Earth’s public spaces, we expect that people will find new and inventive ways to make art.

 ??  ?? Never before have people had such easy, on-demand visual access to public spaces all over the globe.
Never before have people had such easy, on-demand visual access to public spaces all over the globe.

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