The Asian Age

Calypso: Cornerston­e of Caribbean culture

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In Greek mythology, the nymph Calypso, said to be the daughter of the Titan Atlas and Pleione, imprisoned Odysseus for seven years on the island of Ogygia. In cricket, calypso means a blend of music and poetry. It romanticis­es the sport and its culture. Each calypso compositio­n is unique and has different connotatio­n to followers of the game during a particular period of time.

This writer has been to the Caribbean to cover cricket seveeral times and found that the Trinidad’s Queen’s Park Oval and Jamaica’s Sabina Park offer an ambience and atmosphere unique to Caribbean cricket centers. Calypso and soca accompanie­d by conches, bands, bugles and trumpets provide a raucous yet an enjoyable cacophony alongside the cricket.

The cricket world outside the Caribbean learnt of calypso when the West Indies defeated England on the sanctum sanctorum of cricket, Lord’s in 1950. Lord Kitchener ( real name Aldwyn Roberts) composed a song, ‘ With those two little cricket’ and our cricketers as ‘ calypso cricketers’.”

There is an ill- fated calypso on West Indian politics. After independen­ce in 1958, the islands formed a West Indies Federation but it soon broke up into selfgovern­ed islands in 1962. Calypso of the time captured the moments of the political disintegra­tion. There are dozen national anthems and dozen prime ministers but only one cricket team — the West Indies. Nasser writes, “Cricket is our identity, a rallying point of togetherne­ss and putting aside of our difference­s to be under one banner, The West Indies. The rallying cry for unity is done in many instances through the medium of cricket calypsos.”

During the 80 years of its cricket’s existence when the West Indies joined the elite in 1928, historical moments of Caribbean cricket have been expressed through music and songs. “Cricket continues to be inspiratio­n for many a calypso as the art form has chronicled the ups and downs of the game in the Caribbean. Cricket and calypso have caused more celebratio­n and condemnati­on, more scorn and praise, than anything else,” he writes.

Calypso music has made sure that great West Indies cricketers will never be forgotten. The theme and intent of the book is to interweave the lyrics of these cricket themed calypsos, record Caribbean cricket history and extends it canvass to include players, games, eras and events of the day.

The book explains why cricketers from the region are called ‘ Calypso Cricketers’, “… they are reflective of our rhythmic exuberance and our flashy brand of play, unique styles often described as ferocious, elegant, exciting, electrifyi­ng, indomitabl­e and masterful.”

The 211- page book is well supported by pictures and lyrics of 200 calypso songs that trace the troughs and crests of West Indian cricket. The publicatio­n is a testimony of Nasser’s love for the game and is a repository of a wealth of informatio­n on calypso and cricket projecting that both are more than entertainm­ent and sport.

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