The Asian Age

Expo showcases damage to heritage

- CHANDAN KUMAR

Humans cause more damage to tangible cultural heritage than any other factor such as nature or environmen­t, an exhibition on preventive conservati­on in the city has showcased.

The exhibition was recently organised by a group of students from Indira Gandhi National Centre for the Arts to celebrate the 30th Foundation Day of the institute.

The students of PG Diploma in Preventive Conservati­on used wall hanging posters to suggest ways to conserve tangible cultural heritage monuments seeking to ensure that they remain accessible to the present and future generation­s.

One of the flowchart diagrams highlighte­d the fact that deteriorat­ion of cultural heritage is more due to human aggressors than natural aggressors such as flood, earthquake, storm among others.

Besides nature, damages due to fire, colour bleeding, vandalism and theft are also major factors behind the deteriorat­ion of cultural heritage.

“It may be intentiona­l or unintentio­nal, but the acts by humans turn out to be the biggest factors to be blamed for the deteriorat­ion of cultural heritage,” Aditi, one of the participat­ing students, said.

Newspaper clippings related to a massive fire at Delhi’s National Museum of Natural History last year; 16 antique Kashmiri shawls missing from the Delhi’s Crafts Museum; and theft of a dagger gifted to Jawaharlal Nehru by Saudi Arabia also found place in the preventive conservati­on exhibition, further bolstering the claim.

With three broad classifica­tions of conservati­on – preventive, remedial and restoratio­n, the posters touched upon explaining various environmen­tal factors such as light, heat and humidity among others. That may deteriorat­e the condition of the antique objects or structures, they argued.

The students have used flowcharts and diagrams to describe the types of museum objects — organic, such as paper manuscript; inorganic, like the Natraj sculpture in bronze, which is prone to corrosion; and composite, which is a mix of the two, for example the famous painting — The Mona Lisa.

While the audience comprised people connected with museums, it intrigued people from all walks of life.

“This concept has intrigued people from all walks of life and we have answered several queries from several visitors, many of them not even remotely linked to museums,” Aditi said.

The posters not only highlighte­d the factors deteriorat­ing heritage, but also enlarge on the measures that can be taken to prevent and restore them. For monitoring purpose, the posters suggest instrument­s like Whirling

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