With Shubha Mudgal & Kailash Kher, Jahan- e- khusrau a hit
■ Dr Uma Rele, the supertalented and dynamic principal of Nalanda Nritya Kala Mahavidhyala, choreographed Draupadi’s life then, using the nuances of Kathak and Bharatanatyam. On the other hand, Vipin Kumar Kushwaha, along with Ankita Dolawat and Aditi Deshpande, planned Draupadi’s life now using international dance forms like waltz, rumba, tango, aerial silk, contemporary, hip hop, broadway, jazz and more.
Mahabharata has forever been a source of inspiration for dancers. Innumerable shows and choreographies based on the epic story have emerged every now and then. Every character in the classic has inspired dancers the world over, each person in the mythological tale has his or her own positive and negative shades which brings interesting twists and turns to dance works. One such character is the leading lady of Mahabharata — Draupadi.
I am glad that I was part of a unique show, Sairandhari — The Musical by Neha Banerjee. Neha is a Kathak exponent, having learnt under the guidance of legend Padma Vibhushan Pt Birju Maharaj and Sheila Mehta. Sairandhari was the idea of Neha where the life of Draupadi was presented through Indian classical dances, Kathak and Bharatanatyam.
If you think that it was yet another classical dance show where traditional dances were used to showcase the epic, you are wrong. It was nothing stereotype; it was talking of various episodes of Draupadi’s life but at the same time comparing it to today. Neha very ably played Draupadi then and Draupadi ( women) now and I played the role of the dominating the male ego that always tries best to put the women down in each sphere of life.
Dr Uma Rele, the super- talented and dynamic principal of Nalanda Nritya Kala Mahavidhyala, choreographed Draupadi’s life then, using the nuances of Kathak and Bharatanatyam. On the other hand, Vipin Kumar Kushwaha, along with Ankita Dolawat and Aditi Deshpande, planned Draupadi’s life now using international dance forms like waltz, rumba, tango, aerial silk, contemporary, hip hop, broadway, jazz and more.
The show had five important phases of Draupadi’s life, starting with her utpatti ( birth) where through classical dances Dr. Rele showed how Draupadi was born out of fire and got her name agniputri ( one
who is born out o f fire) a n on
Wd the hen poet- filmmakerdesignercomposer Muzaffar Ali decided to start a festival at Chaunsath Khamba in Hazrat Nizamuddin Basti on the lawns of the Humayun's Tomb — incidentally, the same place where Khusrau started the qawwali music tradition in the 13th century AD — he probably had one motive: to organise a live threeday concert where music reverberated during the five- hour long performances that were carefully designed so that the brief lingering of sound in the venue embellished the orchestra's sound, and the listeners went into a frenzy. Delhiites sat up and took note of such a grand show in 2001. The show featured Pakistan's Abida Parveen every year as the main attraction and held the rasikas in thrall from day one. These music- lovers then made a beeline for the free passes from the following year; the then Delhi government and Ali’s Rumi Foundation collaborated to give a real feast for the well- heeled men and women, as also some students, perennially on the lookout for freebies.
Has it also been an occasion for listeners to get up and do an impromptu jig? It definitely has been!
This year, the three- day JahaneKhusrau was back in the capital, and, one of India's most sought- after and versatile singer Shubha Mudgal, who is foremost a khayaliya and sings Hindustani classical, was a other hand, the modern take spoke about how after birth a girl child is put into fire. She is agniputri in both the times, one where she is born out of fire and the other she is put into the fire. So has Draupadi’s ( women) life become better than before? Moving to the youth: The gorgeous, doe- eyed Draupadi weds Arjuna and is given no choice by her mother- inlaw who says, “Baant lo” ( divide among yourselves) and she becomes Panchali ( one who has five husbands) and today too she has no choice, no choice of career, marriage, children, clothes etc. So has Draupadi’s ( women) life become better than before?
The third phase was the time when her maryada ( dignity and selfesteem) was tested and cheerharan ( disrobing) took place. Lord Krishna came to help and rescue her whereas today a woman is brutally molested, teased, raped, gangraped, killed and murdered and thrown on the street like garbage. So has Draupadi’s ( women) life become better than before? Another phase when during agyatvaas ( exile) while she worked as V i r a t a k i n g - d o m ’ s q u e e n
I am glad that I was part of a unique show, Sairandhari: The Musical by Neha Banerjee. Neha is a Kathak exponent, having learnt under the guidance of legend Padma Vibhushan Pt Birju Maharaj and Sheila Mehta.
good enough reason for Delhiites to throng the venue. Other performers like folk, thumri and kajri singer Malini Awasthi, pop- rock and Bollywood singer Kailash Kher and Punjabi folk and Sufi singer Hans Raj Hans gave what everyone in the audience loved to do: an occasion to sway to their beats.
For Ali, it has been a longdrawn battle. Over the years, successive governments first dillydallied, and then, finally agreed to give their nod for the festival that according to Ali, “can only be organised at the Humayun’s Tomb,” which being Sudeshna’s hairstylist, Sudeshna’s brother Keechak insulted her comparing a sairandhari ( maid) to a prostitute. Today, a woman is disrespected and loose words are spoken about her, addressing a women as a slut, a bitch and a whore is common modern language. So has Draupadi’s ( women) life become better than before? The last part was the mahaprasthanam ( the great journey to moksha) where the five powerful husbands don’t even turn and look back at her when she slips and falls. And today too, after a woman dies, a man brings in a new bride within a few days wherea s when a a heritage property, is used for public functions.
From being the most anticipated event to becoming an out- ofrange event, the fate of Jahan- eKhusrau hung in suspense for a few years, forcing
Rumi Foundation to stop being magnanimous and putting a ticketed show that clearly catered to the loaded leisure class only. Therefore, this year, too, it was only for anybody who is somebody! rarely man dies, the woman must remain a widow for life neither having the right to dress in colour nor meet anyone other than god. So has Draupadi’s ( women) life become better than before?
I asked Neha as to what inspired her to conceive this one- of- its- kind show and she said, “I was reading an interesting book called Palace of Illusion and it made me look at Draupadi’s life in a very different manner and then whenever I would pick up newspapers and read about girl foeticide, rape, molestation, child marriage, widows of Vrindavan, my heart would always ask a question: Has my life ( as a woman) become better or worse? This question gave me sleepless nights and that is when I decided to make this show and ask the same question to the people of my country.’
The show’s light designing has been done by Sangeet Natak Akadami awardee Gyan Dev Singh, music is by Vivek Mishra while poster design is by Akash Kumbhar. A number of musicians gave their time for this show, including Ganesh Sawant on pakhawaj, Aparna Deodhar on sitar, Bhaskar Das on flute, Sandeep Mishra on sarangi with vocals by Shalini Sinha and Omkar Patil. Costumes were by Sidney Sladen while
the show was managed The real music- lovers may not have been able to afford it but there were those who clearly loved flaunting their rare entry pass. But, with so much energy, money and hard work being e x p e n d e d during the three days that serve close to 5,000 aficionados of Sufi music, it was surprising to notice that the audience by Parul Chawla and Satish Jupiter. The show’s executive producer was Aditi Kapadia and backstage management was organised by Jameel Shah.
The show opened in Chennai and Mumbai with houseful audience and will now be travelling to Delhi, Pune, Hyderabad, Kolkata, London, New York, Paris and many more cities.
This hard- hitting and extremely bold show speaks nothing but the truth about the life of Draupadi then and compares it to her present life, leaving the audience with the same question that haunts Neha even today. Has Draupadi’s life become better or worse? Is a woman a man’s ardhangini ( equal half) or is she his better half ? Is a woman meant to be loved by the man or is she his sairandhri ( maid)? These are some important questions which we all need to ask ourselves today. Even if you have not seen the show, I hope you will be able to find answers for yourself and make the place we live in better for both women and men.
Sandip Soparrkar is a world book record holder, a well known ballroom dancer and a Bollywood choreographer who has been honoured with two National Excellence awards and one National Achievement Award by the Govt of India. He can be contacted on sandipsoparrkar06@ gmail. com didn’t quite comprehend the complexities of the beautifully choreographed two part ballet — Yamuna Darya Prem Ka — presented by Archana Shah, Astha Dixit and group and Sanjukta Sinha and group. “This year, we focussed on River Yamuna,” explains Ali. “There was extremely talented Barnali Chattopadhyay’s vocals and the theme was dedicated to sensitising the world about the ecological damage to water resources through the moving story of River Yamuna, which is the lifeline of northern India, and connects aastha ( faith) with delicate ecology. It was to draw the attention of people to the environmental concerns. A structured ballet on the theme based on a story of River Yamuna was staged for the first time,” clarified Ali.
As expected,
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This hard- hitting and extremely bold show speaks nothing but the truth about the life of Draupadi then and compares it to her present life, leaving the audience with the same question that haunts Neha even today. Has Draupadi’s life become better or worse?
the venue Arab the Humayun's Tomb turned into a fortress as bouncers and police personnel guarded the place and warded off unwanted people looking for free entry. Any reason for the festival to be a star- studded performance but still not something meant for the masses this year? “This was only for the members and for a large group of people who follow us on our website. It’s also for the sponsors,” he confirms. “Later, it will travel to Lucknow”
The organisers, both Ali and his wife, Meera, seem happy with the way the festival shaped up this year despite no buzz that usually such high profile events cerate in the capital. After all, with close to 80 to 90 lakh being spent on as many as 200 singers from all over the country, it wasn’t easy. “We managed everything — from to and fro passage of the performers to hospitality to looking after them and of course, their fee,” explains Ali.
Established in 2001, under the aegis of Rumi Foundation, Jahan e Khusrau, designed and directed by Muzaffar Ali, has been the pioneer in presenting Sufi music.
The three mystical nights brought together musicians from different parts of India, the subcontinent and the world to perform in a seamless cinematic fashion.
Participating countries included the US, Canada, Germany, Italy, Morocco, Sudan, Egypt, Tunisia, Iran, Turkey, Uzbekistan, Pakistan and Bangladesh.