The Asian Age

‘ King of spectacle’ Balich puts Sistine Chapel on stage

- Catherine Marciano — AFP

Rome, March 16: The producer of the Rio Olympics opening ceremony, Marco Balich, is used to making flashy spectacles, but entering into the artistic world of Michelange­lo and his frescos of creation on the ceiling of the Sistine Chapel may be his most ambitious project yet. Described as “artainment”, Mr Balich’s show, which premiered on Thursday, aims to take a new audience inside the Vatican’s Sistine Chapel, one of Rome’s most famous sites that is so swamped by camera- clicking tourists it can hardly be fully appreciate­d. Mr Balich has taken over Rome’s former symphony hall in the hope of giving the art masterpiec­e back to the people of the eternal city.

“Rome is the only major European capital that doesn’t have a permanent show about its own history,” Mr Balich said. Using the techniques learned during his Olympic experience­s he makes audiences feel as if they are sitting in the middle of the iconic chapel. High definition photograph­s provided by the Vatican Museums are projected onto the stage, walls and ceiling of the hall, which have been covered with canvases.

Adam and Eve frolic in front of a close- up of a fresco of the Garden of Eden with plants climbing the walls toward the ceiling, while Noah’s Ark heaves in a stormy deluge that soaks actors on stage.

“We’ve tried to apply the language and technology of the Olympics to a pillar of humanity,” said Mr Balich. The show starts with blocks of rough marble sliding mysterious­ly around the stage, before Michelange­lo appears revolving around the unhewn rocks, evoking “beauty” until a sculpture emerges from the grey mass. “Everything is in there,” Balich says. “I seek beauty, the beauty is everything. It is my obsession,” he said

Next comes Pope Sixtus IV ( 1471- 1484), who had called upon the great artists of his time like Perugino, Botticelli or Ghirlandai­o.

Then in 1508 Michelange­lo is summoned from his hometown of Florence to paint the ceiling of what we now call the Sistine Chapel, at the request of Pope Julius II ( 1503- 1513). Just 30 years old and up to that point a sculptor, he recoils at the madness of having to paint one thousand square- metres — 500 hundred days work — despite having no knowledge of fresco painting techniques. Three decades later and another patron pope, Clement VII ( 15231534), calls him back to the chapel to create his most famous fresco — the Last Judgement to paint and restore an old medieval chapel that would eventually be named after him

“I want to talk to younger generation­s to teach them that beauty and art are an important way of learning about their own roots,” says Balich.

“An hour is the attention span of the younger generation, if we tell the story well we can get them interested.”

The grand finale of the show called Universal Judgement: Michelange­lo and the Secrets of the Sistine Chapel is a prelude written by Sting, and sung in Latin by the British pop star, along with 16 minutes of narration approved by the Vatican.

■ Used to making flashy spectacles that he deems as “artainment”, Marco Balich is now entering into the artistic world of Michelange­l o and his frescos of creation on the ceiling of the Sistine Chapel. Balich has taken over Rome’s symphony hall in to give the art masterpiec­e back to the people.

 ??  ?? In this file photo, technician­s attend a rehearsal of the show “Universal Judgment: Michelange­lo and the Secrets of the Sistine Chapel,” directed by Marco Balich at the auditorium via della Conciliazi­one near the Vatican.
In this file photo, technician­s attend a rehearsal of the show “Universal Judgment: Michelange­lo and the Secrets of the Sistine Chapel,” directed by Marco Balich at the auditorium via della Conciliazi­one near the Vatican.

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