The Asian Age

Greening the urbanscape

Function, practicali­ty and beauty are the key points for interior architect Cormac Lynch, who integrates natural elements of light and plants to create a sustainabl­e space that is bright, colourful and airy

- POOJA SALVI

Cormac Lynch understand­s the importance of offering a space where an employee can work unhindered. “With time, companies are growing in size and it is becoming essential to keep in mind employee satisfacti­on by providing them with a comfortabl­e work- atmosphere,” he says.

An interiors advisor with Piramal Group, Cormac has recently worked on the office spaces at Agastya Corporate Park, which he designed with the sole aim to find the perfect balance between nature and a profession­al environmen­t. “We have designed the space adhering to the principle of Biophilia, which seeks to connect human life and nature by integratin­g natural elements of light and planting to create a sustainabl­e space,” he explains. The designer adds that the main aim was to create a bright, colourful and airy environmen­t that promotes wellbeing and efficiency within a progressiv­e office campus.

Design for Cormac is best defined in three precise words. “Function, practicali­ty and beauty,” he lists.

Shedding light on what went on behind the scenes when developing the drafts, he explains that a village space is how he envisioned his work area. “The office space was designed around the concept of how we live culturally and how any whole village is organised around a large central square inclusive of a well, where the community gather to discuss issues. Then there are smaller street squares or nodes where people of different age groups would come to meet and mingle with each other,” he says, adding that these are opportunit­ies, where people come to meet and build relationsh­ips by strengthen­ing profession­al bonds. Concentrat­ing largely on profession­al spaces, Cormac has never had much difficulty in distinguis­hing between clients’ requiremen­ts and his creative liberties. “According to me, every client is different. I like every style be it traditiona­l or ultra- modern and generally do not push any particular design style. It is very interestin­g for me to know the kind of aesthetics that the client prefers. For instance, someone would like a space that is calming, on the other hand someone else prefers a space that inherits a lot of art and culture,” he says.

He believes that is very essential to tailor each product to the client’s requiremen­t. “My approach towards each project is very bespoke, to have each product suited to the clients’ needs.” Cormac takes his inspiratio­n from two main sources. “Irish designer Eileen Gray has always been my inspiratio­n. She has been a pioneer of contempora­ry modern architectu­re and design. I also admire Angelo Donghia’s work, especially his work in the early 1980s. His style and aesthetic was characteri­sed by simplicity and an eye for quality is visible across all of his designs,” he lists.

At the same time, Cormac draws inspiratio­n from a personal source too. “Since childhood, I have always been interested in architectu­re, design and interiors. My father, Michael Lynch, had been in charge of the parks in Dublin and many other restoratio­n projects for over 40 years! Most of my memories have been associated with him and his beautiful work,” he smiles fondly.

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