The Asian Age

‘Actors need to constantly reinvent themselves’

Pranitha Subhash discusses Hungama 2 and more

- SASHIDHAR ADIVI

Pranitha Subhash is currently shooting for the title track of her film, Hungama 2. The Priyadarsh­an directoria­l is one of the biggest and mostawaite­d multi-starrer franchise films of this year. The Attarintik­i Daredi star will be seen in the role of girlnext-door in the comic caper.

“Somehow, such roles (girlnext-door) come to me,” smiles Pranitha, adding that she enjoys playing these roles.

The film promises to be a thorough entertaine­r with something for everyone.

“There’s no specific effort to invoke laughter; the narrative flows naturally. Hence the comedy that’s triggered by the characters is natural too. I haven’t prepared for the part, but just went with the flow and my character design,” Pranitha says.

While Hungama 2 brings out the funny vibe in the actress, her role in another Hindi film, Bhuj: The Pride of India is that of a Marathi wife. And in an upcoming Kannada film, Pranitha is playing a role that is unlike either of these two. “I realise that since cinema is becoming diverse, actresses should also go for different, challengin­g roles. In fact, mainstream actors are playing roles that have negative shades,” she says.

“With several new filmmakers coming up with interestin­g roles, I think acting is all about reinventin­g ourselves. Every new film and role is a new challenge, and it’s good that it prompts us to break the stereotype­s and myths of convention­al films,” Pranitha elaborates, adding that she is glad to debut in Bollywood at a time when actors are doing varied roles.

Describing the blurring of regional language lines as another welcome change, Pranitha says, “I guess cinema has been transformi­ng and I am glad to be a part of that change. We are living in an era where the audience welcomes content-driven stories.”

Every new film and role is a new challenge, and it’s good that it prompts us to break the stereotype­s and myths of convention­al films — Pranitha

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