The Asian Age

‘My language and choice of music is Western’

...says the award-winning musician and songwriter Shayan Italia, while talking about his latest album, Warriors

- SASHIDHAR ADIVI

Shayan Italia garnered global acclaim after his version of Jana Gana Mana, the Indian National Anthem, became the most viewed national anthem of any country in 2018. The rendition, which he created for the 71st Independen­ce Day celebratio­ns of the country, had attracted more than 100 million views on YouTube, beating the record held by the French National Anthem. Devoid of lyrics, the rendition is simple yet moving, which he played on a grand Steinway Model D piano.

Now, his latest track, Warriors has already garnered 80 lakh views since it released three weeks ago. Warriors, he tells us, took him two weeks to write, compose and sing in his home studio in Mumbai. Shayan is thrilled about how his track has been received. “The uplifting lyrics, inspiring rendition and universal message have worked in the track’s favour. I’d felt that such songs are the need of the hour to spread positivity, hope, belief and faith during these time we are in,” expresses Shayan. The acclaimed and self-discipline­d pianist, who shuttles between London and India, tells us that he is currently busy working on his forthcomin­g assignment­s, including a YouTube channel.

MUSIC FOR LIFE

A multi-faceted personalit­y, Shayan was born and raised in a Zoroastria­n family in Secunderab­ad, where music was a large part of life. He went on to graduate from Nizam College. He, however, moved to London in 2009 after he lost his parents — mom to bone marrow cancer and dad to multiple sclerosis.

Shayan has fond memories of having spent his formative years in Secunderab­ad (West Maredpally). “I remember when I was young all members of my father’s extended family used to live in the city. We used to have gatherings so often that I never had time to meet friends. When I look back, I feel lucky to have been raised in such an environmen­t,” says Shayan. “Of course, that house was sold out long back.”

Does he frequent his childhood city, we ask.

“The last time I was in Hyderabad was in 2016, when my brother and niece came down from the UK. She’d wanted to see the places my brother and I had spent our childhood in.” replies Shayan, who also thinks Hyderabad is a great place with a rich heritage. “It has grown by leaps and bounds with the city’s landscape having changed dramatical­ly over the years.”

KEEPING TO HIMSELF

The multifacet­ed musician took to music in 2009, following which he worked with global technician­s and musicians — a journey he describes as satisfying. “It’s my life, my journey, and whether you like it or not, each one has their own individual journey. But I am always someone who has never been happy because I’m always trying to change for the better. However, in its quest also lies happiness,” Shayan states.

Being a Hyderabadi, Shayan has never tried to work in Tollywood. Also, despite being in Mumbai for the last several years, he has not attempted to collaborat­e with Bollywood either. He explains, “I believe South Indian music is far more experiment­al from what little I have heard of it. However, my language and choice of music is western and instrument­al. No set of products in terms of entertainm­ent has a global reach other than English. Also, I want to do what I am comfortabl­e with because when you don’t know the language, there’s a chance that we get disrespect­ful to the culture and create a substandar­d product.”

The hot-shot musician is, interestin­gly, single, a status he doesn’t seem to be in a hurry to change given that he hasn’t met anyone in the last decade or so. “I’ve been in relationsh­ips but not with anyone from India. And none of them seemed keen on staying with me in India. Honestly, I come from a strong space for independen­ce, and I’ve built my life on my own. In India, women seem to make decisions considerin­g their family; that itself creates a lot of boundaries for me. I don’t fit into such spaces,” he says.

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