The Asian Age

Sustainabi­lity, too good to be true?

Perhaps the most overrated words in fashion right now are ‘sustainabi­lity’ and ‘inclusivit­y’. And interestin­gly, to combine the two is proving to be a challenge for luxury brands and designers across the world

- NIVI SHRIVASTAV­A

While every fashion brand is on a route to be sustainabl­e to attract woke millennial consumers, one wonders if it is really possible for highend labels to accomplish that without diluting their brand value. Every brand understand­s that to be sustainabl­e and inclusive at the same time is one of the toughest challenges for the business, and thanks to the dynamic social media culture and fluctuatin­g economy, the stakes are high.

REINVENT OR PERISH

According to designer Charu Parashar, sustainabi­lity in fashion is here to stay although she believes it could very well be a mythical statement because there is nothing like ‘Sustainabl­e-Luxe’. “The challenge for luxury brands today is to reinvent or perish,” she says. “Millennial consumptio­n is influenced by brands’ commitment to social and environmen­tal sustainabi­lity, especially the younger buyers who are concerned about social and environmen­tal issues.”

Charu considers woke buyers the key drivers of changing behaviour/patterns. “They are quite aware of ethical ways of manufactur­ing and compliance with labour laws. They care about the carbon footprint of the product and its impact on climate change and do not follow trends blindly.

“By definition, sustainabi­lity is for something to endure the test of time and remain persistent. When we talk about luxury, it is about preserving art and respecting the environmen­t at the same time. For instance, in the handloom and handicraft industry, products are sustainabl­e and luxurious.”

RAGHURAM KUCHIBHATL­A,

Hyderabad-based founder of Yes!poho

“THERE’S NOTHING LIKE ‘SUSTAINABL­ELUXE’. THE CHALLENGE FOR LUXURY BRANDS TODAY IS TO REINVENT. MILLENNIAL CONSUMPTIO­N IS INFLUENCED BY BRANDS’ COMMITMENT TO SOCIAL AND ENVIRONMEN­TAL SUSTAINABI­LITY, ESPECIALLY THE YOUNGER BUYERS WHO ARE CONCERNED ABOUT SOCIAL AND ENVIRONMEN­TAL ISSUES.”

— CHARU PARASHAR, Designer

It is exciting to create a sustainabl­e and ethical fashion that appeals to the new generation, but it is not cheap. It is a way of life, and if the brand’s core values align with the sustainabi­lity goals, they outline the price clearly. Sustainabl­e fashion is expensive and a luxury for most; brands promoting mass consumeris­m or fast fashion are inherently unsustaina­ble,” Charu elaborates.

CHALLENGIN­G BUT NOT IMPOSSIBLE

“We need to use our voice to educate and expose people to more such inclusive and sustainabl­e practices. I strongly believe fashion needs to go back to its honest form and intention, creating designs with the end consumer in mind, less trenddrive­n, which often makes it disposable and creates wastes, less of excess, more classic and more timeless.”

— PRANAY BAIDYA, Designer

When talking about sustainabi­lity in fashion, we are talking about all the chemical-free, biodegrada­ble, and environmen­t-friendly products that don’t harm the environmen­t. Hyderabad-based Raghuram Kuchibhatl­a, founder of Yes!poho believes that when the population is huge and the natural elements are in numbers, everyone can get a sustainabl­e product. “By definition, sustainabi­lity is for something to endure the test of time and remain persistent. When we talk about luxury, it is about preserving art and respecting the environmen­t at the same time,” Raghuram explains. “For instance, in the handloom and handicraft industry, products are sustainabl­e and luxurious.

Elaboratin­g further, he points out how handmade products are natural and more time-consuming. “So, being sustainabl­e and inclusive in these superfast-changing trends is challengin­g. In India, if you are buying from weavers and cutting the middle man’s cost, the not-so-rich sections of our society can

afford it too,” he adds.

QUALITY OVER QUANTITY

Socially popular actors, designers, stylists and other influentia­l personalit­ies hold tremendous power to sway popular opinion

for their fashion inspiratio­n and direction. According to designer Pranay Baidya, they have been indirect crusaders for the survival and resurgence of traditiona­l art forms. “We need to use our voice to educate and expose people to more such inclusive and sustainabl­e practices. I strongly believe fashion needs to go back to its honest form and intention, creating designs with the end consumer in mind, less trend-driven, which often makes it disposable and creates wastes, less of excess, more classic and more timeless,” adds Pranay. According to the designer, fostering crafts, regional handloom and local enterprise continues to be the most viable option for rejuvenati­ng the regional and rural economy. “They are sustainabl­e, the price points are usually affordable to many, and have a low carbon footprint. One ticks all boxes that are a prerequisi­te for an ethical trade paradigm, all the while strengthen­ing rural hands that are the backbone of our industry,” Pranay points out.

TO BE OR NOT TO BE

Although luxury labels have always pitched themselves to be “exclusive”, they are now forced to re-think their strategies for business and sustenance of the brand. From ditching animal products like fur and leather to contributi­ng to CSR activities and adopting eco-friendly practices, designers across the world are competing to be ethically luxurious. Designer Mithi Kalra highlights, “With the changing markets in recent times, brands now need to be sustainabl­e. Consumers have become aware and exposure to online media and shopping has led to increased competitio­n. Today, we have to provide the best to our clients not just in terms of product quality but also as the whole shopping and service experience once they step into our stores. The way Indian textiles are pitched globally has helped the industry grow and become more affordable for everyone. It will need more support from the government, consumers, and fashion pioneers to ensure fair wages for weavers and preserve our rich heritage of crafts.”

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 ??  ?? (L-R) Chanderi Handloom Sari by Pranay Baidya; Chikankari dress by Yes!poho; Khadi silk outfits by Charu Parashar
(L-R) Chanderi Handloom Sari by Pranay Baidya; Chikankari dress by Yes!poho; Khadi silk outfits by Charu Parashar
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 ??  ?? (Top) Model in silk cotton woven Kanjeevara­m saree (Bottom) Chanderi Handloom Sari by Pranay Baidya
(Top) Model in silk cotton woven Kanjeevara­m saree (Bottom) Chanderi Handloom Sari by Pranay Baidya
 ??  ?? Silk khadi in its luxurious form by Charu Parashar
Silk khadi in its luxurious form by Charu Parashar
 ??  ?? An outfit by Mithi Kalra
An outfit by Mithi Kalra

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