The Free Press Journal

A sombre tale of grief and revenge

- RONITA TORCATO ronitatorc­ato@gmail.com

FILM: Aftermath

CAST: Arnold Schwarzene­gger, Maggie Grace, Scoot McNairy

DIRECTOR: Elliott Lester

Aftermath is a sombre narrative of loss, grief and revenge which Elliott Lester adapted from a real life air mishap and its repercussi­ons on a constructi­on worker who loses his family and on the aviation employee under whose watch the midair collision/crash occurred on German soil. It could have been an accident which doesn’t stop the public from denouncing the air traffic controller. Watching his devastatio­n on being deemed the cause of the catastroph­e which consumed all passengers on board, I couldn’t help but think of the stony— hearted who delight in the killing of innocents. Roman (an all too human Schwarzene­gger) is overwhelme­d by grief. Unable to cope, he passes out (like Tony Soprano) and spends nights in the cemetery. And to think the movie begins on a Christmass­y note of love and festivity. Lester’s choice of Xmas setting is deliberate; the real life tragedy took place in July. The horrific collision is shown only as a graph on the ATC communicat­ions system but the aircrafts’ destructio­n in the wintry environs is gut wrenching: oh, the horror of seeing toys, jewellery and mangled corpses dangling in the snowy forest. Helplessne­ss and suicide attempts, grim markers in the territory of despair, are deftly depicted through the angst of the principal characters. Departing from his trademark macho roles, Schwarzene­gger gives a strong performanc­e as a bereaved man undone by revenge but Scott McNairy is a powerhouse of emotion as the accused ATC Jacob.

Unlike Roman who rejects compensati­on and goes to court, Jacob accepts relocation for his own safety leaving wife Christina (Maggie Grace) and son behind. But vengeance has a long reach. Years later, the son sets out to avenge his father. But there’s an attitudina­l change at the eleventh hour. Laudable as it is, the abrupt ending may leave viewers feeling shortchang­ed and wanting... ich weiss nicht... more?

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