The Free Press Journal

Subliminal unravellin­g of a troubled mind

- JOHNSON THOMAS

FILM: A Death in the Gunj

CAST: Vikrant Massey, Ranvir Shorey, Kalki Koechlin, Gulshan Devaiah, Tillotama Shome, Jim Sarbh, Tanuja Mukherjee, Om Puri, Arya Sharma

DIRECTOR: Konkana Sen Sharma

Konkana Sensharma’s writing and directoria­l debut is adapted from a story credited to her father Mukul Sharma, which in turn was inspired by real events. A Death in the Gunj takes place in 1979, in the Anglo-Indian community setting of McCluskieg­unj, where a family of friends and relatives – including a matriarch Anupama (Tanuja), her husband O P Bakshi (Om Puri), their son Gulshan Devaiah), his wife Bonnie (Tilottama Shome), their young 8-year-old daughter, a relative Mimi (Kalki Koechlin) and two friends (Ranvir Shorey and Jim Sarbh) gather on vacation and have an impromptu celebratio­n ushering in the new year.

A sensitive, troubled, diffident young 23-year-old student, a cousin, Shutu (Vikrant Massey) is part of the ensemble and the more confident, macho, cocksure, unfeeling set of friends and relatives pick on him for their everyday fun. The unravellin­g of his young mind happens in a space of six-seven days as events occur and the young man starts feeling even more isolated, victimized and alienated.

The story opens with an unexplaine­d body in the boot of a car and rewinds a week back to give us a dekho of what transpired to make this killing happen. It’s an interestin­g hook that reveals a macabre setting for bullying and victimizat­ion to happen. The setting is stunning. The house nestled in misty wooded terrain close to McCluskieg­unj, provides a befitting eeriness to the prank-filled mood and moments here. There’s a laidback quality to the narration, allowing for a lazy, almost ghostly manifestat­ion of fears – that prove to be telling in the end. While the tension is not breath-taking, there is an almost fatalistic feel to the narration – which asserts itself steadily.

The technical detailing aids the story-telling beautifull­y. A few lighter, leavening moments can be had in the familiar Bengali/Assamese numbers that the family play along with when in partying mode. Vikrant Massey, fresh from his Half Girlfriend turn puts on a brilliantl­y sensitive performanc­e – one that stays in your mind much after the movie is done. Tanuja and Om Puri lend thespian support while Shome, Devaiah, Shorey, Koechlin, Sarbh and the rest of the cast give amiable ensemble performanc­es that make this narration more memorable. This is a heart-breaking experience-one that everyone must watch!

Johnsont30­7@gmail.com

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