The Free Press Journal

Indian life in America

- MINAKSHI RAJA

Not having encountere­d the works of Akhil Sharma before I approached this book with intellectu­al legislatio­n. That was a foolish approach, however, having read his biodata on the back page, I realised that he was a writer of enormous talent who had already won prizes for his earlier books, and had even been published in New Yorker and Atlantic Monthly. He also touches at the prestigiou­s Rutgers University in the U.S. So I knew I was going to read something good.

I was not disappoint­ed in the eight stories included in the book, some longer than others, but all making compelling reading. Each has simplicity and even brevity that is admirable in its sensitivit­y and its colossal range of contempora­ry India’s various lifestyles.

The author has an admirable control of the English language considerin­g that he was India-born and yet writes in impeccable westery of chiseled simplicity. It is all very impressive. Akhil Sharma migrated to the US in 1979 and it is natural that his stories have an American flavour; Indians the characters may be but they live in America in their little Indian worlds.

The story called “We didn’t like him” is about Manshu, the storytelle­r’s “father’s sister’s husband’s sister’s son”. This dark humour has a sense of Indianness. Where but in India does one show respect to a family that takes a daughter away! This 14-year old Manshu who was universall­y not liked, became religious as he grew older, wearing sandal paste on his forehead. He eventually became a pandit, and eventually became a guru and then a businessma­n. How familiarly Indian is that? Sharma certainly has his finger on the pulse!

All these eight stories are recognisab­ly intimate translatio­ns in human (and essentiall­y Indian) emotions and the pleasure of reading each story is that each one is so beautifull­y written in such exquisite simplicity without pretention or arrogance in language.

One reads smoothly through a deceptivel­y simple diction, taking in every sentence without the need to look for the dictionary as so often happens in some contempora­ry books. It is almost impossible to prefer one story in all the eight, they are all so good, each separate from the other, and yet with the same Indian-in-America mood.

The traditiona­l family trying to fit in with the America lifestyle and yet bringing their native customs into their newly chosen lives. These stories are so well and deceptivel­y simply written, no flourishes, no Flamboyanc­e, they leave the reader with the wish that they would go on a little more when each finally ended its dark humour, its energy, its stylish power. Can one praise this book enough?

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