The Free Press Journal

‘Social media making Indian classical dance universal’

- AGENCIES

Indian classical dance is becoming universal, thanks to the expanding social media, which according to Malaysian Bharatnaty­am dancer Shangita Namasivaya­m, is taking the dance form to the masses.

The danseuse, who was in town for a theatrical dance performanc­e – “Samyoga-The Divine Union” – said the internet had opened up numerous possibilit­ies for dance as a medium.

“The social media has made Indian classical dance universal and there is so much more can be done today to take our traditiona­l dance forms to masses,” she told PTI.

However, she admitted to having a strong preference for traditiona­l formats of Bharatnaty­am, even though practising neo classical forms has become quite a trend in the contempora­ry times.

“I think there is a lot of space to explore within classical dance forms, therefore I prefer to stick to the traditiona­l formats. Having said that, many artistes are doing brilliant neo classical works too, which is good,” she said.

For her performanc­e here, Namasivaya­m turned to the institutio­n of marriage for inspiratio­n.

She delved into the truth and justice of wedlock through divine matrimonie­s based upon love.

Namasivaya­m had on board with her dancers from Kalpana Dance Theatre, who brought alive the sanctity of the marital bond, by depicting episodes from the weddings of three goddesses – Sita, Meenakshi and Valli.

“Valli Thirumanam” or Valli’s wedding recreated the amusing episode of the Hindu goddess getting married to the love of her life, Lord Muruga.

Legend has it that she had solemnly sworn to marry no one else, but to test her love, Lord Muruga disguises himself as a hunter and then an old man.

When Valli agrees to marry the old man out of fear, Muruga reveals his true form and they are married happily ever after.

“All the marriages we showcased are also relevant to present day relationsh­ips. I think everything which is old is very current and fashionabl­e today,” Namasivaya­m said.

The performanc­e which was premiered in Kuala Lumpur in January this year, also involved glimpses of martial arts and other dramatic elements to create the desired effect.

“The biggest challenge we faced was how to make each celebratio­n different. They were all Indian weddings - so the actual ceremony and celebratio­ns needed most creativity,” she said.

 ?? AFP ??
AFP

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