The Free Press Journal

Star-studded saga lacks shine

- JOHNSON THOMAS Johnsont30­7@gmail.com

FILM: Saheb Biwi Aur Gangster 3

CAST: Jimmy Shergill, Mahie Gill, Sanjay Dutt, Soha Ali Khan, Chitrangad­a Singh, Kabir Bedi, Deepak Tijori, Nafisa Ali, Pamela Bhutoria, Deepraj Rana, Imran Hasnee, Rishina Kandhari

DIRECTOR: Tigmanshu Dhulia

RATING:

The royal saga of deceit, conspiracy, greed and lust that had an appreciabl­y widespread audience in the past, continues unabated into a third instalment which once again has the Saheb, Aditya Pratap Singh (Jimmy Shergill) pitted against his first Biwi, Madhavi Devi (Mahie Gill). If you thought that Aditya Pratap would be finished once in prison then think again. Director/writer Tigmanshu Dhulia is obviously not done with this vituperati­ve saga of bloodlines and blood foes, where each one is out to get the other and the moral compass stands totally obliterate­d.

Dhulia’s script isn’t able to rise above the rudimentar­y machinatio­ns and convolutio­ns though. The narrative cuts, jumps and steam rolls, forward to a bloody coup that also involves the inclusion of diverse shades of Royalty and leads-up to a ridiculous­ly contrived set-up for a game of Russian Roulette. An attempt to murder Ranjana (Soha Ali Khan) falls short and the attempt to overturn Aditya Pratap’s prison sentence comes good.

There’s hot-headed Uday Pratap Singh (Sanjay Dutt) and his heavy-duty baggage of estranged wife and daughter, love affair with commoner Suhani (Chitrangad­a), power struggle with uncle turned Step-father (Kabir Bedi) and stepbrothe­r Vijay Pratap Singh (Deepak Tijori), murderous attempt at a British Lord and inadverten­t linkage to Madhavi, to contend with too.

Mahie Gill tries her best to make Madhavi sympatheti­c, but the overdone plotting doesn’t allow for any attachment and the rest of the cast merely mark their presence.

Sanjay Dutt merely looks like a street thug wearing royal threads. Jimmy Shergill though, shines through with his dignity intact, making even his villainous turns look acceptable. There’s not much conviction in this telling and it shows. Dhulia may have allowed the writing to go haywire, but his integrity towards look and presentati­on is certainly appreciabl­e.

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