The Free Press Journal

Hyper-modern thriller

- ronitatorc­ato@gmail.com RONITA TORCATO

Tech devices like mobile phones, pcs and laptops have featured in short sequences in various movies. In ex-Google employee Aneesh Chaganty’s debut feature, the entire tale is told via devices we use to communicat­e daily. This conceit is innovative even as the actual story within is an old fashioned whodunnit.

The central character in this thriller, is widower David Kim, (John Cho, super) who shares a seemingly close bond with his only child Margot (Michelle La). One night, Kim misses a frantic call from his daughter. The next morning she’s gone, missing without a trace.

Secondary characters offer a variety of explanatio­ns. Detective Vick, the woman cop (Debra Messing) investigat­ing the case suggests Margot has run away, which Kim dismisses (“I know my daughter”.)

Director and co-screenwrit­er Chaganty weaves smart twists and turns into the plot (with cowriter Sev Ohanian in his debut feature) to present the contempora­neous existentia­l problem of online personae versus offline reality.

While Vick and her colleagues look for the missing girl around the sites she was last seen, Kim casts his inquisitor­y net over the laptop she had strangely forgotten to take for what was supposed to be a late-night group study session at a friend’s place. He is in for a rude shock. Margot’s social media footprints show he never really knew his daughter. Like fire, the internet can be a dangerous and utilitaria­n and the film-makers stress the need for honesty and better communicat­ion.

There are red herrings too with developmen­ts implying the guilt of secondary characters through circumstan­tial evidence. For example, a hardened drug-dealing youth who is reluctant to explain his whereabout­s turns out to have been attending a Justin Bieber concert! Searching is as clever as its creator Chaganty and it is my earnest hope that he stays the course like the protagonis­t, goes on to make even more brilliant films and is not given short shrift by the same forces that have marginalis­ed brilliant film-makers like M Night Shyamalan and Tarsem Singh.

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