The Free Press Journal

Bitter-sweet drama about love and loss

- JOHNSON THOMAS

FILM: The Sky is Pink

CAST: Priyanka Chopra Jonas, Farhan Akhtar, Zaira Wasim, Rohit Suresh Saraf, Lushen Dubey, Rajshree Deshpande,

DIRECTOR: Shonali Bose RATING:

Shonali Bose’s third feature after the critically applauded Amu and

Margarita with a Straw, follows the trajectory of a true life — this one, based on the life and times of Chaudhary family, Niren (Farhan), Aditi (Priyanka) who grappled with agonizing losses through their marriage, yet endured together despite the unending turmoil in their lives. The film spans 25 years of their lives and is told through a voice over from their ailing daughter Aisha (Zaira Wasim) who eventually succumbs to chemothera­py induced complicati­ons after successful­ly surviving Pulmonary fibrosis/SCID for 18 years of her young life. The couple have an older son Ishaan (Rohit Saraf) and have lost a daughter Tanya to SCID, a few years after birth. So it’s doubly challengin­g for them when news of an unplanned pregnancy and possible complicati­ons, hits them in the face.

Bose’s narrative takes us back and forth in time with smooth intercuts of bitter-sweet, sometimes humorous, enduring love, care, romance and anguish. It’s a sentimenta­l journey that begins from the womb, delving into individual perception­s about terminal illness, pro-life decision making and the sacrifices a family makes to keep their offspring hale and hearty against all odds. The love story between Aditi and Niren may seem a little unreal given their difference­s in opinion, the distance that separates them from time to time and the seemingly impregnabl­e hardships they endure to get their daughter out of the woods, so-to-speak.

The efficient writing makes the 143 minute runtime totally involving, while the performanc­es, music and cinematogr­aphy enliven the rather morose subject that deals with death, grief and after. The film could have been a copious weepy but Shonali Bose’s deft helming keeps the melodrama at bay while infusing sentiment, colour and humour in generous measure. This isn’t a dark depiction in any form – instead, Bose infuses the narrative with enough lightheart­ed, playful, poignant moments that keep the bleakness of death and loss in balance.

The characters are drawn with immense respect for individual­ity. The actors – be it Farhan, Priyanka, Zaira or Rohit, highlight their effectiven­ess with innate understand­ing about the characters they play and lend them a sense of purpose that is survivalis­t in nature. The tone of the film rests entirely on the teenage sassy, spunky and dead Aisha’s ‘spirited’ viewpoint. This is a life and love affirming journey and Shonali Bose and her team must be congratula­ted for making it so!

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