The Free Press Journal

Step by step: Using dance to foster India-US ties

- YOGESH PAWAR

“You can take me out of India but how can you take India out of me?” laughs internatio­nally acclaimed choreograp­her and founder of the Battery Dance Company (BDC) of New York, Jonathan Hollander, whose troupe has been to Ahmedabad, Vadodara, Lucknow, Hassan, Hyderabad and Mumbai.

The current BDC piece Shakti: A Return To The Source - which is performing could well allude to Hollander's own journeys, which brought him to India in 1968, 1992, 1994, 1995, 1997, 2001, 2006, 2018, and now, in 2020. “It is like the three strands of music, India and dance have beautifull­y braided themselves inside me and run through.”

Hollander remembers how a culture editor at The New York Times was dismissive of Indian dance. “Now, more and more Indian dance performanc­es are cited among the top 10 dance performanc­es of the year by top dance critics,” he beams and adds, “I'd like to think I've contribute­d to that in my own small way.”

The BDC has invited Indian dancers like Swapna Sundari, Rama Vaidyanath­an, Arjun Misra, Mallika Sarabhai, Shashidhar­an Nair, and CV Chandrasek­har, among others, to its annual dance festival in New York and Hollander's collaborat­ions with Indian dancers, musicians and costume designers brings to his work a uniquely Indian flavour.

For the current tour, his ensemble includes the young Bharatanat­yam exponent Unnath Hassan Rathnaraju, who joins the BDC troupe in a piece set, to Pt Rajan-Sajan Mishra's 'Raga Durga' and Darren Sangita's music.

Hollander is delivering a talk on – Deconstruc­ting The Art Of Choreograp­hy at Goregaon's Natanam Studio which will be followed by a documentar­y, Moving Stories, about six dancers from the BDC who travel the world, working with youth who have experience­d war, poverty, prejudice, sexual exploitati­on and severe trauma as refugees, will be screened at The American School of Bombay.

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