The Free Press Journal

DD’s Ramayan sparks feminism debate

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With Ramanand Sagar's popular eighties mythologic­al serial "Ramayan" back on Doordarsha­n, the Indian audience has got a chance to revisit the epic story all over again. The show has set off social media discussion, too.

The discussion over the past 24 hours or so has taken a gender-based turn with some viewers calling bad queenmouth­ing Kaikeyi and her maid Manthara. As the hurling of abuses continued, these two characters incidental­ly kept trending on Twitter.

There has been a debate centred on the feminism quotient in the show, too. While some users felt "Ramayan" did not mete out fair treatment to its female characters, others felt the storyline champions women's empowermen­t.

Hailing the storyline as an instance of women's empowermen­t, a viewer tweeted: "We were so progressiv­e even 7000 yrs back, it’s amazing. Sita was very intelligen­t & warrior woman. Kaikeyi wasn’t only a warrior, she was Saarthi of King Dashrath in Devasur sangram, which was not at all an easy task. True women empowermen­t."

Another viewer shared: "Seeing Ramayan today, I am reminded of first female drivers were from India. Kaikeyi and Satyabhama."

Still others reminded that Kaikeyi was no pushover as a character."Ramayana and equality. Guys, remember that Kaikeyi was the first woman in combat," a user tweeted.

However, not everyone feels that the story upholds "women's empowermen­t", and not everyone shared kind words for the antagonist Kaikeyi.A viewer opined: "Kaikeyi was a class A b**ch, wasn't she? Asking for her son to be crowned king was alright, but sending Ram to exile was evil at a whole new level. Don't bash me, I won't take it back!"

Still another said: "A woman can make or destroy a home. Perfect example – kaikeyi."

A social media user made an interestin­g observatio­n saying "Ramayan" would have had a different perspectiv­e altogether if it was penned from the viewpoint of any of the female characters.The tweet reads: "Have you ever not wondered how the story would have unfolded in its own different indifferen­t manner if the pen was given to Kaikeyi or Manthara, to Urmila or Kaushalya, to Surpnakha or Mandodari?"

It has just been a few days since Doordarsha­n started airing "Ramayan", and one thing is clear: more than three decades later, the show has lost none of its power to remain a talking point, any which way.

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