The Free Press Journal

Arty abode!

Ahead of World Architectu­re Day (October 4), Hema C explores the new trend of building homes and workspaces with a style that urges for a return to craftsmans­hip and which rebels against modernism

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Mumbai-based Purshottam Sinha’s two-bedroom house on Peddar Road flaunts Warli paintings painted over the walls of his living room and a large size peacock of tribal Gond art. “Our old house had Egyptian artwork as we loved that. But when we bought a new place for ourselves, it was my wife’s idea to use local art. We have also used some antique Maharashtr­ian style decoration in the house to complement the interior,” says Purshottam, a builder.

Indian architectu­re, both new and old, defines regional skylines and has a lasting impact on our perceived memories of a place. And while historic architectu­re has its own charm, modern architectu­re too can be inspiring. We all have grown up seeing palaces, forts, and temples laced with old regional arts on walls and ceilings, however, with the highly marketed urban brands and machinemad­e products these local arts, crafts, and designs have seen a major setback.

But, now, some Indian architects are incorporat­ing regional art and using locally sourced materials into buildings and spaces to create environmen­ts that instill a sense of belongingn­ess within the people and communitie­s who engage with them.

A multi-generation family home in Delhi opted for a large commission­ed hand-painted tree of life in the Madhubani-style frames on each floor of the house. Hand-dressed slabs of sandstone forms a partition that sits as an object of interest at the entrance while also appearing as a backdrop for the dining setting is another house’s appearance in the capital city. The house built by Sidhartha Talwar, principal at Studio Lotus in Delhi, is an intricate configurat­ion of stained-glass windows in the stairwell which brings in flickering hues of coloured light throughout the day.

“By using locally-sourced materials, indigenous artisanal craft, and bespoke detailing, we strive to elevate the quality of living in a manner that is appropriat­e for our context but also suited to individual tastes,” says Talwar.

While these interventi­ons help promote and preserve traditiona­l art and local design techniques while keeping the luxury aspect intact, it also reduces the cost and keeps carbon emissions in check, as materials and labour don’t have to be transporte­d over long distances.

Consequent­ly, this architectu­re is closely related to its context and is aware of the specific geographic features and cultural aspects of its surroundin­gs, as it is strongly influenced by them.

Infusing luxury in homes through the authentici­ty of material usage and richness of spatial expression aimed at supporting the residents’ lifestyles, community dynamics, and larger aspiration­s, the architects are challengin­g the approach to luxury that is predicated upon the use of imported or expensive materials. “The understand­ing of luxury should be governed by the principles of conscious design that encourages minimising consumptio­n and empowering all stakeholde­rs,” says Talwar.

Built with locally sourced materials, these spaces celebrate regional crafts from across the country. Some of the arts, which have been proudly flaunting their richness on the walls are Godana, Warli, Pattachitr­a, and Gond paintings, the metal craft of Bastar and Sanjhi paper stencillin­g.

Bengaluru-based architect Shalini Chandrashe­kar of Taliesyn Design and Architectu­re,

recently collaborat­ed with a mural artist from Kerala to make a colour-doused traditiona­l Kerala floral mural that was created on a focal wall of a lobby in a house.

“The idea was to enable pre-visualisat­ion of the green space you enter into from the lobby. It is an artistic expression of the interplay of landscape and the soul of the built area, all with natural dyes for colours,” says Chandrashe­kar and adds that she also employed traditiona­l materials like the variegated Kota flooring with patterned Athangudi tiles and tall sculpted pots in earthen hues sourced from a local artist.

“I saw the 3D renders of the space, and then I went to see the site. The terrace had ample greenery, so I decided to paint something inspired by that based on the theme of nature. The client showed a few reference images, but I did the final idea for the mural independen­tly,” says Prabeesh Chammanur, a mural artist from Kerala, who completed the 12-foot-high mural in about a month.

The artist says he used five natural colours that are derived from the earth. Chammanur specialise­s in mural art based on mythologic­al themes and it was a different experience for him to sketch acrylic painting on canvas which was inspired by nature.

“I have done some murals in temples with thin brushes and painted in a semi-traditiona­l fashion. This project was different because it did not have any religious connotatio­n, but inspired by nature,” says the artist.

Although the trend of incorporat­ing local art may seem new, architects have been exploring regional narratives and local skills for a decade now. The approach to experiment­ing and re-interpreti­ng traditiona­l art is also seen as contempori­sing craft to make the obscure indigenous craft relevant to the young generation and the years to come.

The architects share that the usual approach towards creating crafted expression­s varies from developing a narrative for an integrated architectu­ral scale to small interior treatments. “It mostly depends on the layering in the details and tactile quality of space to incorporat­e objects, artifacts, murals and art pieces, but we always thrive to shape the spatial experience through impactful storytelli­ng gestures,” says Talwar.

Chandrashe­kar adds that the process of building a space which is convention­al yet modern needs collective strength and pushing the limits. “This process of breaking from convention­al is often a rigorous and demanding process,” she says.

The art of building these unconventi­onal spaces provides an important link to the past and supports a strong sense of local identity. Together with other cultural expression­s, the abodes and workspaces provide a foundation for the shared humanity of communitie­s and reaffirmin­g their identity.

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