The Indian Express (Delhi Edition)

A satirist, fearless in his assessment of politician­s

- EXPRESS NEWS SERVICE

INFLUENTIA­L POLITICAL commentato­r and satirist Cho Ramaswamy, 82, passed away early Wednesday morning at a private hospital in Chennai. Cho, assrinivas­aiyerramas­wamywas popularly known, was a much sought-afterpolit­icalanalys­t,who successful­ly donned the roles of a playwright,scriptwrit­er,actorand editorwith­greatelana­ndsuccess. He also served a term in the Rajya Sabha between 1999 and 2005.

In his tweet, Prime Minister Narendra Modi described Cho as a multi-dimensiona­l personalit­y, towering intellectu­al and a great nationalis­t. “Cho Ramaswamy wasinsight­ful,frankandbr­illiant,” hesaid.theprimemi­nisteradde­d that“choramaswa­mywasadear friend”andrecalle­dhisvisitt­oone of the annual readers’ meeting Cho used to hold in Chennai.

Thuglak, the popular magazine he edited, was founded on January 14, 1970. Cho had invited Modi to one of Thuglak readers’ meet, one of Modi’s earliest public functions in Tamil Nadu.

The Prime Minister posted on his Twitter handle two videos of the function where Cho, in a satirist tone, describes the then third-time Gujarat chief minister as “the merchant of death”, apparently to take a dig at Congress president Sonia Gandhi, who had used the term for Modi during her election campaign in Gujarat. “Yes, here I invite to address you, the merchant of death, the merchant of death to terrorism, the merchant of death to corruption, the merchant of death to nepotism, the merchant of death to official inefficien­cy, the merchant of death to bureaucrat­ic negligence, the merchant of death to poverty and ignorance, the merchant of death to darkness,” Cho says in the video.

DMK president M Karunanidh­i, in a statement, said despite political difference­s, Cho had great love and affection for him. He was a friend and a political critic, who could convey his message with humour, he said.

Cho was a severe critic of the Dravidian Movement, especially the DMK. He was one of the few people who had access to J Jayalalith­aa, having known her from film days, and she looked to him for advice. But he had friends in all political parties.

Vaasanthi, Tamil writer and a long-time friend, says Cho was honest and fearless in his assessment of politician­s. “His humour, sparkling wit and quick repartee made him a great conversati­onalist,” Vaasanthi adds. She recalls how he, as an actor and scriptwrit­er, would improvise on the stage to refer to current news and political developmen­ts to contempora­rise his comedies.

In Mohammed Bin Thuglak, his hugely popular play of 1971, he resurrecte­d Sultan Thuglak to comment on contempora­ry politics. The spoof, which was also made into a film with Cho in the title role, was seen as a biting criticism of the government of the day.inall,chowroteov­er20plays, actedinnea­rly200film­s,directed four and scripted another 14.

Cho’s involvemen­t in politics extended beyond his profile as a journalist. In the 1990s, when the Jayalalith­aa administra­tion became notorious for corruption and nepotism, Cho worked to build a political alliance against her. He is said to have influenced the Congress leader G K Moopanar to tie up with the DMK. The alliance defeated the AIADMK in the 1996 assembly election. In his later years, he became closer to the BJP. In fact, the Vajpayeego­vernmentno­minated him to the Rajya Sabha. Cho also buried his difference­s with Jayalalith­aa and remained close to her until her death on Monday.

Social historian and professor at Madras Institute of Developmen­t Studies, A R Venkatacha­lapathy,considersc­hoanunabas­hed defender of Jayalalith­aa and the BJP. “He was the voice of disgruntle­dtamilbrah­mins,whorefused to accept the rise of the Dravidian Movementan­dprogressi­veideas. He was anti-labour, anti-reservatio­n.hispublica­tionwasare­action to the rise of the Dravidian Movement, especially the DMK,” argues Venkatacha­lapathy.

Thuglak, he feels, had a great amount of purchase in the beginning,butfellint­oarutlater.“hejust filled it up with what he thought were jokes. In fact, he reduced everything to jokes and never offeredase­riousanaly­sisaboutan­ything,” says Venkatacha­lapathy.

The high-point of Cho’s career, according to Venkatacha­lapathy, was during the Emergency, which he vehemently criticised. He was a part of PUCL (People’s Union of Civil Liberties), but left the organisati­on following his reluctance to differenti­ate between the violence of the state and others.

Tamil Nadu Chief Minister O Panneersel­vam, DMK leader M K Stalin, actor Rajinikant­h were among those who visited Cho’s residence to pay homage.

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