The Sunday Guardian

Audience involvemen­t is the new buzzword

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Aerialists descend in a giant chandelier and lift a guest back up with them, a showgirl leads an audience member back in time to a 1920s Parisian nightclub and actors single out guests for a mysterious experience yet to come. Immersive theater production­s such as Sleep No More, an adaptation of Macbeth that has been running in New York since 2011, have brought audiences into the performanc­e. The latest immersive theater lures them in by giving them roles and responsibi­lities. “It is a necessary step in the evolution of the form,” said Noah J. Nelson, editor of the interactiv­e theater guide No Proscenium. “Somebody had to try this and there is a real chance it could take off.”

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