The Sunday Guardian

Many languages of love are explored at the ongoing show in Delhi’s heart

An ongoing exhibition at the School of Arts and Aesthetics in Delhi’s Jawaharlal Nehru University explores the complex theme of love through works by various artists from India and abroad. The show has a powerful effect on viewers, writes Bhumika Popli.

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muhabbat mere mehboob na maang/ Maine samjha tha ke tu hai to darakhshaa­n hai hayaat. [Oh my love don’t ask me for the love I once gave you/I thought that life will shine eternally one me only if I had you],” says Zohra. The poem is by Faiz Ahmad Faiz written in 1943. The video is extracted from the documentar­y Zohra Segal on Zohra Segal, 2012, made by Anant and M.K. Raina.

The show has emerged from three concepts — the 17th century marble wonder, the Taj Mahal, made at the order of emperor Shah Jahan. Poet-lyricist Sahir Ludhianvi’s response to the Taj and, retired postmaster general Saidul Hasan Qadri’s Maqbara Yaadgare Mohabbat; a “replica” of the Taj currently under constructi­on. Along with this, the exhibition also looks at the outcome of what happens when these three concepts intermingl­e.

There is the complicate­d presence of devotional love in the exhibition when you encounter an empty pedestal covered by a yellow fabric which gets its colour from recycled marigold flowers that were given as offerings at Mumbai’s Siddhivina­yak temple. The fabric is from The Temple Project initiated by Adiv Pure Nature, an organisati­on which aims to propagate the use of natural dyes on textiles.

There is also the presence of public affection for Taj when you see a boxful of fake currency, an artwork titled My India Affair by Mexican artist Lorena Herrera Rashid. This opposes the increased prices of the Taj. Backpackin­g across India in 2001, Rashid got involved in the protests and eventually staged an interventi­on in support of the protestors at an award ceremony.

Gitanjali Dang, the curator of the show talks to Guardian 20 about the show. She says, “This is the second and expanded iteration of the exhibition. The first happened in Mumbai in 2014. The show looks at ideas of love, power, access etc from multiple points of view.” Dang also runs Khanabados­h arts lab in Mumbai since 2012.

The exhibition also looks at unconditio­nal love. There are photograph­s which convey the story of Saidul Hasan Qadri and his wife the late Tajammuli Begum. In Kaser Kalan which is a village in Dibai tehsil approximat­ely 150km from Delhi, Qadri has began work on a maqbara in the memory of his wife. The couple was childless and Begum was apprehensi­ve that no one will be visiting their graves. Sensing her fear, Qadri promised her a mausoleum that would bring people to their graves. The mausoleum is quite similar to the original Taj Mahal. The work on the maqbara couldn’t be is currently on hold as Qadri has already spent his life savings, i.e. Rs 10 lakh, on its constructi­on. He turns 80 this year.

One can also see little drawings on the wall by artist Gagan Singh. Talking about the exhibition, he says, “I think moments when you feel love, experience love or share an intimate moment, it accounts for what could be love in the capital.” Dang tells how the works by Gagan came about. “Gagan has been working in the space for almost a month in advance. He has been visiting the gallery and responding to encounters such as those taking place at the site — i.e. he’s been sitting in on lectures and walking around the campus etc. As such, the exhibition has been shaped around Gagan’s mark making,” says Dang.

Shukla Sawant, professor, Visual Studies, SAA, JNU, shares the reason the artworks found space at the SAA. She says, “Dang’s format caught our attention because the exhibition would unfold as a series of ‘ happenings’ besides the works in the gallery. The stress on the ephemeral and contingent rather than objects made the curatorial project interestin­g.”

Dang’s format caught our attention because the exhibition would unfold as a series of ‘happenings’ besides the works in the gallery.”

The show goes on till 15 November at SAA Auditorium, JNU, Delhi

 ?? PHOTO: RAUL IRANI PHOTO: PHALGUNI DESAI ?? A still from documentar­y
PHOTO: RAUL IRANI PHOTO: PHALGUNI DESAI A still from documentar­y
 ??  ?? Uncomplete­d mausoleum at Dibri.
Uncomplete­d mausoleum at Dibri.
 ??  ?? Artwork by Gagan Singh.
Artwork by Gagan Singh.

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