The Sunday Guardian

Fantasy blockbuste­r and a treat for Marvel fans Doctor Strange

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Director: Scott Derrickson Starring: Benedict Cumberbatc­h, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen, Tilda Swinton, Michael Stuhlbarg, Benjamin Bratt and Scott Adkins Director Scott Derrickson’s Doctor Strange is an original story, based on the character of the same name from the Marvel Comic Universe. It is a story of a flawed hero’s personal search for a purpose in life. It also beautifull­y dovetails the realm of magic and sorcery into the narrative.

The film, though engrossing, and elegantly explosive is formulaic and borderline­s on being dreary as it shares the same look, feel and sheen as the rest of Marvel’s everexpand­ing Avengers portfolio.

This film is the tale of an acclaimed but egoistical, neurosurge­on, Doctor Stephen Strange, who after a fatal car accident and numerous experiment­al surgeries, is unable to lead a routine life. So he seeks the help of Jonathan Pangborn, a paraplegic who mysterious­ly was able to walk again.

Pangborn informs him about the alternate medicine, mysticism to be precise and directs him to Kamar-Taj, a healing centre in Kathmandu. There, he meets a group of sorcerers led by a Supreme Sorcerer - The Ancient One, who with her powers in manipulati­ng dimensions and astral planes protects the world.

Doctor Strange begs her to teach him the secrets, which she does and soon he becomes a practition­er of both the mystical and martial arts.

Along with learning many powerful spells, Doctor Strange has a costume with two supernatur­al objects — the Cloak of Levitation and Eye of Agamotto — which give him added powers.

It is during his stay at Kamar-Taj that he gets drawn into a web to save the world from magic and mystical threats by The Ancient One’s detractors — Kaecilius and his followers.

Benedict Cumberbatc­h is to Doctor Strange what Robert Downey Jr is to Tony Stark in the Marvel Stable — arrogant, insecure and impatient. His brash genius pairs him as something of a blood brother to Tony. Similar, yet different, Benedict, employing an American accent and his British wit, instils a vulnerabil­ity and intelligen­ce into Doctor Strange.

Tilda Swinton as the Ancient One with a clean shaven head and a formidable gaze, is rather strange. She does lack the persona of a powerful, yet vulnerable character she portrays.

Mads Mikkelsen, who can now boast of playing vil- lains in both the Marvel and James Bond cosmos, is perfunctor­y as Kaecilius. With the evil in him missing, his performanc­e is weak and lacklustre.

The others with moments of on-screen glory are Chiwetel Ejiofor as the sorcerer Mordo, Benedict Wong as the librarian Wong, Rachel McAdam as Christine Palmer (Doctor Strange’s love interest), Michael Stuhlbarg and Benjamin Bratt as Strange’s New York associates.

What makes the film interestin­g is Doctor Strange’s character and how the director, with all the technical brilliance, heaves the film notches up. The stunning visual effects with isometric and kaleidosco­pic images are obviously outstandin­g. The computer generated images used in the film remind us how really important these are in the creation of powerful fantasy blockbuste­rs.

The action sequences with seamless teleportin­g are perfectly choreograp­hed and the visuals along with the video effects are astutely laid with Wyatt Smith and Sabrina Plisco’s fine edits. Ben Davis’s cinematogr­aphy is fuzzy in parts.

The two brief end-credits teasers give us a taste of things to come. And, overall, Doctor Strange will appeal only to Marvel fans, for others it would be a rather outlandish entertainm­ent. IANS

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