The Sunday Guardian

London is all set for the British Academy Film Awards

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It is BAFTA season in London, voting for the first round of the British Academy Film Awards is now open and closes on 3 January 2017, from this a short list of nominees is decided. The Judges are all peers and notables from the film industry who have collected previous awards, although their decisions will clearly be subjective and personal,they judge under strict guidelines that prevent favouritis­m and complacenc­y. The coveted Best Film award is likely to contain “Best” in many other categories such as Direction, Actor, Music, Screenplay, Cinematogr­aphy. Sometimes the result is a surprise such as in 2012 when The Artist won seven awards, it was the first French film to win and unusually in black and white. Last year’s winner was “The Revenant” with five “Bests”.

Black and white of a different genre is a film theme this year that resonates with the reality today in America #BlackLives­Matter. Many films about Black issues are likely to be considered…“Fences” with Denzel Washington as an African-American father struggling with race relations and complex family loyalties in 1950’s US; “Moonlight” starring Trevante Rhodes a sexually confusedyo­ung man growing up in drug infested Miami has to decide who he really is; Nate Parker’s “The Birth of a Nation” is the cruel true story about a literate slave cum preacher in the antebellum South who orchestrat­ed an uprising against white injustice. The movie “A United Kingdom” deserves a special mention and not just for its clever double entendre title; the actual story of Sir Seretse Khama the first President and founder of democratic Botswana, during his education in London Khama and Ruth Williams fell irrevocabl­y in love at the time that Bechuanala­nd was a “British Protectora­te”. Khama was the heir to the chiefdom of the royal Bamangwato tribe and their marriage provoked the most disgusting divisive racism from both sides. This film does not paint a pretty picture of British colonialis­m in Africa, it reveals lies and complicity in apartheid, shows British officials as condescend­ing and deceitful. Still Seretse and Ruth muster the strength to fight for equality and independen­ce and they win. The screenplay by Guy Hibbert allows Seretse some powerful speeches and it is gratifying that under president’s Khama’s leadership between 1966 and 1980 Botswana became the fastest growing economy in the world. Subsequent­ly it is worth reading up on President Khama’s low tax, pro-market and anti-corruption policies that were so successful.

A second theme is the commentary of social conditions in American today, in their various ways “LalaLand”, “Captain Fantastic”, “Manchester at Sea” and “American Honey” all draw attention to dissatisfa­ction with the hardship of the status quo.

The most profound film theme is the Holocaust, “Denial” is a factual account of a British court case whereby a Jewish university professor proves a so-called WWII historian wrong.HungarianL­ászló Nemes’s film debut “Son of Saul” has already deserved many awards, a harrowing drama about Auschwitz in 1944, it is not for the faint hearted but during Hanukkah it might show solidarity to watch it.

Bafta’s red carpet event to announce the best of every category is on 12 February.

The most profound film theme is the Holocaust, “Denial” is a factual account of a British court case whereby a Jewish university professor proves a socalled WWII historian wrong.HungarianL­ászló Nemes’s film debut “Son of Saul” .

 ??  ?? David Oyelowo and Rosamund Pike star as Sir Seretse and Lady Khama in A United Kingdom.
David Oyelowo and Rosamund Pike star as Sir Seretse and Lady Khama in A United Kingdom.

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