The Sunday Guardian

Ethics of fashion

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in a big way. The industry also needs to incorporat­e the use of safe dyes and environmen­t-friendly means of production.”

In India, there aren’t many natural dye houses available, which means that supply of eco-friendly raw materials is low. As a solution to this, more and more designers are turning away from chemicals to organic products, as well as to more labour-intensive and indigenous production methods, such as handicraft. Ahmadabad-based designer Soham Dave’s eponymous brand, since its inception in 2011, has celebrated the rootedness of Indian textiles in its collection. All his garments are hand-made.

Talking about the materials used or production methods, Dave says, “From processing to finishing, we prefer to use naturally available techniques around us to treat our fabrics. The fabric is de-sized using harda fabric, washed at open pools, dried on sunlit fields and is manually printed by artisans, using hand-carved wooden blocks. The entire process, thus, eliminates electricit­y on which man has become overly dependent. I think moving back to our roots will help us become more environmen­t-friendly. If we look back at the ancient ecosystem of India, mainly villages, our ancestors gave back to the nature much more than they took from it. The fibre was natural, fabrics were woven on handloom using human energy, and processed in natural elements in the absence of heavy chemicals and electricit­y.”

But making an eco-friendly garment is by no means easy. “It comes as a challenge to the designers. First of all, natural colours bleed. The washing process needs a lot of care. You never get the same tone or shade again. There is always a variation in the shade. The production itself is a challenge as it takes a long time to get handwoven fabrics and natural colours. Sometimes the production process goes on for three-four months,” says another Ahmadabad-based designer Purvi Doshi, who decided to go for sustainabl­e design five years back.

Designer Shailesh Sing- hania, whose foray into fashion happened due to his strong connection with the master weavers of his hometown Hyderabad, says, “Traditiona­l Indian fashion is absolutely eco- friendly as we work with natural fibres like cotton and silk. And I intend to carry forward that ethos. Since I am committed to working with natural fibres, I don’t have a wide array of choices. I ensure that we use the best quality yarns and wherever possible, get hand-spun threads to generate employment. Again, as per sustainabl­e choice, all my work is done by handloom weavers and never on power looms. Within this framework, I work on the weaves, colour combina- tions, patterns etc. to create these one-of-a-kind pieces.”

Another popular f ashion brand, which is all about chemical-free clothing, is Nature Alley. “I was looking for chemical-free clothing and could not find anywhere to shop for the same. Natural dyed clothing was an idea that made sense. Thus was born Nature Alley,” says Tara Aslam, the founder of Nature Alley.

Aslam believes that making garments chemical-free can help address many of our other, but related, ecological problems. “By being conscious of the carbon footprint we leave, fashion industry will be well served to use more handloom and hand- made textiles and techniques. Water pollutants can certainly be controlled. We should be looking at these choices in every sphere of life to make this a green planet,” says Aslam.

Fast fashion, the fashion equivalent of fast food, is the main enemy of sustainabi­lity. With rising demand for cheap and quickly-produced garments, fast fashion is becoming the norm across the industry. Designer Soham Dave says, “The whole business model of fast fashion runs on easy disposabil­ity for which low price points are mandatory. To include sustainabi­lity, the profit hungry brands will have to completely reinvent, and reinvest in, their business model.”

According to Shailesh Singhania, “Since the fashion industry is the biggest polluter after oil companies, it is safe to say that there is a complete lack of intent globally to tackle this situation. The huge business model that thrives on profitabil­ity at any cost needs a shift in focus. There is a plethora of steps that have to be taken urgently with a view to protecting the environmen­t rather than generating profit. We have to change the mindset of the unreal fast fashion pricing and educate the consumers on the merits of committing to fewer, trend free pieces. Again, the concept of recycling is ingrained in us and can come forward as long as we buy quality garments worth recycling.”

It’s also worth rememberin­g that sustainabi­lity and profit margins are not mutually exclusive. “Many conscious customers are ready to pay a premium for an ethically made garment,” says designer Jaya Bhatt. Still, the industry needs to get together and make eco-friendly manufactur­ing methods more economical­ly viable. “The cost of holding inventory and the real estate being so high, the fashion industry also falls into the same ‘high margin’ game. However, unless there is a fair profit for all in the value chain, from the weaver to the customer, there can be no sustainabi­lity. Certainly, innovation in clothes can and must happen. Recycling is certainly a possible solution,” says Tara Aslam of Nature Alley.

“Since the fashion industry is the biggest polluter after oil companies, it is safe to say that there is a complete lack of intent globally to tackle this situation. The huge business model that thrives on profitabil­ity at any cost needs a shift in focus. There is a plethora of steps that have to be taken urgently with a view to protecting the environmen­t rather than generating profit.”

 ??  ?? Models showcasing garments by designers (from left to right) Soham Dave, Shailesh Singhania, Jaya Bhatt, and Ruchi Tripathi & Tara Aslam.
Models showcasing garments by designers (from left to right) Soham Dave, Shailesh Singhania, Jaya Bhatt, and Ruchi Tripathi & Tara Aslam.
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