The Sunday Guardian

Ghostwriti­ng: The prolific business of anonymous authors

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What if you were told that many of the books that you have read of late have—actually not been written by the authors who find mention on their covers? Difficult to believe—but true. An anonymous world of ghostwrite­rs lies hidden behind the glitz and glamour of the books business and literature festivals that most readers are unaware of.

Sample this: “Don’t have time to write a book, but still want to be a published author? Go for our world-famous book ghostwriti­ng option.”

Absurd as it may sound, it is the tagline of Power Publishers, who, in their own words, are the world leaders when it comes to ghostwriti­ng. And they are not alone, the internet is full of platforms that provide ghostwrite­rs to those who cannot write but still want to be writers.

A ghostwrite­r is an anonymous figure, who, by contract, agrees to write a given book for somebody else. The ghostwrite­r is paid a fairly good sum of money but has no claim over the copyright of the book or its royalties. When the book hits the stands, it carries someone else’s name—the perceived author for its readers.

And, as a breed, ghostwrite­rs are gaining prominence in the publishing industry. Forget self-publishing platforms or smaller publishers, many of the leading publishing houses too have, at some point or the other, sought the help of ghostwrite­rs.

Nirmal Kanti Bhattachar­jee, former Director of the National Book Trust (NBT) and former Editor of “Indian Literature”, Sahitya Akademi’s bi-monthly journal, explains why.

“Successful people are gradually becoming more and more ambitious and want to talk about themselves—and that they do through autobiogra­phies and memoirs. But they do not have wherewitha­l to write books. So they employ ghostwrite­rs.

“Most autobiogra­phies and memoirs of popular figures in the past 20-25 years have been written, partially or wholly, by ghostwrite­rs,” Bhattachar­jee, who is currently spearheadi­ng the editorial works of Niyogi Books, told IANS.

Poulomi Chatterjee, Editor-in-Chief and Publisher of Hachette India, which has many bestseller­s to its credit, said that there are “certain segments” for which ghostwrite­rs are used.

“You wouldn’t find ghostwrite­rs, I hope, for fiction because you are actually looking for the author’s art and craft and voice and story.

“But for non-fiction, there might be experts in various subjects that you want informatio­n from. They could be entreprene­urs, business professors or academic historians and you would want them to collaborat­e with a ghostwrite­r when they have a lack of time or... don’t necessaril­y have the skill to (write),” said Chatterjee, who had a long stint at Penguin India before Hachette.

For Udayan Mitra, Publisher-Literary of HarperColl­ins India, ghostwriti­ng has become much more prevalent and organised than it was before and this, he felt, benefits the publishing industry in the long run.

“It has become a lot more profession­al... it used to be that the author or an editor knew a particular person who was capable of the task. But now there are many more people who are doing it, who have the experience of doing it, and they know how to turn an idea into a book,” Mitra told IANS.

Sharing an interestin­g anecdote about working with a ghostwrite­r (before he joined HarperColl­ins), Mitra said that some five years ago, a big industry leader wished to do a memoir on himself and his corporatio­n— and so they had this hunt for a ghostwrite­r, which ended with a foreign journalist.

“The person landed up in India for ghostwriti­ng the proposed book, but the first day in Delhi he was struck by Delhi Belly and every time he recovered, it would strike again. The corporate leader was getting worried because he had flown him to India and was paying a lot of money for the project. He had also put aside a lot of time from his hectic schedule. Eventually, the book happened—but it was a funny as well as tragic experience,” recalled Mitra.

Ghostwrite­rs as well as several online platforms suggest that they are paid decently. Ghostwrite­rs are available at about Rs 700 per page (containing 250 words) for fiction books on several online platforms.

Of course, the amount of money that many well-to-do are willing to pay ghostwrite­rs for writing a book on their lives or their business is astonishin­g—sometimes running into several lakhs of rupees. IANS

Ghostwrite­rs as well as several online platforms suggest that they are paid decently. Ghostwrite­rs are available at about Rs 700 per page (containing 250 words) for fiction books on several online platforms.

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