The Sunday Guardian

It’s time to reintroduc­e our kids to bookish adventures

Children’s literature is among the most neglected genres in the Indian publishing scene, but efforts are yet being made by writers and scholars to revive the form, writes

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all my stories are about little girls. In all my detective stories and adventure stories, the central character is a girl of twelve. In my fairy tales, princesses and queens save their country (and the kings) by means of intelligen­ce and goodness. They do not fight with weapons. I also have a series of stories about a blind girl, Tinni, who fully enjoys the world around her through her other senses. Thus I expect children who have eyes, can share the feelings of those who cannot see. And treat them as equals. These are some of the ways in which I hope to influence the children and their parents.”

According to Sen, children’s literature has remained a neglected domain in India for years now, with the one exception of Bengali literature. It starts from Ishwarchan­dra Vidyasagar, in the 19th century, who wrote Varna Parichaya, the first Bengali wordbook for children, and published some short verses and short stories to teach morals to the children, which have become part of colloquial Bengali. Rabindrana­th Tagore, too, had seriously written both prose and poetry, and even plays for children. Sarat Chandra Bose had written short stories for children. Satyajit Ray’s grandfathe­r Upendrakis­hore Ray Choudhury, and his father Sukumar Ray, were two pillars of children’s literature in Bengali. Satyajit himself wrote for children and editedSand­esh, a famous children’s magazine.

There is a case to be made that the vernacular space is more vibrant when it comes to children’s books, and there’s wider readership of such books outside the big cities. Sen herself is trying to get more readers in rural India. “Most of India lives in villages, where people are deprived of gadgets. If they can read at all, the rural children do read books. They read in their mother tongues, they do not go to English-medium schools. We hope to reach out to them. We need not write merely keeping the urban children in our view. There is a demand for children’s books in other languages too. Five of my children’s books were translated into Hindi by a private publisher in Indore,” said Sen.

lllustrato­r Proiti Roy spoke to us on the importance of using pictures alongside children’s stories. “The simple joy of enjoying and learning from pictures in books is often more effective than any other medium. Reading books will always remain the most important way to educate a child and illustrati­ons do play a big part to hold their attention and encourage them to spend time with books,” said Roy.

Roy added, “Whether they can read or not, books should be introduced to children and illustrati­ons can play a role in establishi­ng that contact. As they grow up, the habit to read will grow with them and they will seek knowledge on their own—provided they get the right guidance from adults around them. It is the stories and poems that inspire me to illustrate and I try my best to support the author’s work and help children communicat­e with the book. I can only hope that my illustrati­ons will draw their attention to the book and they’ll pick it up from the shelf.”

Tata Trusts’ Parag Initiative, which conducted that survey mentioned above, is also doing its bit to promote children’s literature in India. Swaha Sahoo, head of Parag Initiative, said, “Our language of focus this year has been Bengali, since Bengali literature has a rich history of good quality literature. With some remarkable contempora­ry work in recent years, Tata Trusts, through its Parag i+Initiative is promoting reading for pleasure among children. We believe that reading changes lives and the Tata Trust is keen on honouring the change-makers who are the authors and illustrato­rs producing sensitive, inclusive and contempora­ry books for children in Indian languages.”

My pick from the collection is “Shocking Pink”. Stark and uninhibite­d, the narrative is on a roll, an outpouring that shocks even as it charms.

 ??  ?? Children get introduced to Atanu Roy’s work, BLBA winner (illustrato­r) 2016 at a BLBA library campaign in Yadgir, Karnataka.
Children get introduced to Atanu Roy’s work, BLBA winner (illustrato­r) 2016 at a BLBA library campaign in Yadgir, Karnataka.
 ??  ?? Proiti Roy, illustrato­r.
Proiti Roy, illustrato­r.
 ??  ?? Nabaneeta Dev Sen, author.
Nabaneeta Dev Sen, author.

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