The Sunday Guardian

Juliana: The Mughal ‘Princess’ from Portugal

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able benefactio­ns, some of the epithets which have been conferred on her were: Dona, Fidwi Duago Bahadur Shah, Madame de Maintenon, Khanum, Amazon and Oracle of the Emperor. In the words of the authors, she was popularly known as, “Bibi Julena’’.

Among the Mughal Nobility, she was the Pedagogue of the Royal Highnesses, a Doctor for the Royal Ladies, Charge de Affaires of the Harem, the Royal Table and the Jewellery, besides being the Jagirdar, a Mansabdar, an Employer, a Diplomat and a Portuguese Ambassador. Astounding­ly so, she was also Patron of Orphans, Mother of the Society of Jesus, Worthy Benefactre­ss of the College and Mission of Agra and the Financier of Jesuit Mission to Tibet sent by the Pope. The Supreme Pontiff also applauded her for services to Christiani­ty.

Her multifacet­ed iconic personalit­y and refined multilingu­al attributes are well reflected while greeting the Dutch Envoy in strict royal etiquettes and conducts of niceties; followed by her organising a magical musical concert by Dutch musicians who mesmerised the Emperor and his Queens and the Princes with the heavenly sounds strung from the violin, harp and hautboy.

In other words, Juliana introduced the Mughals to the finer side of Western Culture. She reinforced their armies with the artillery power of heavy guns and cannons as was witnessed in the bloody battle of succession between Shah Alam and his brother, Azam Shah at Jajau near Agra. Shah Alam, who had carefully and cautiously planned to seize the Peacock Throne, had at one point experience­d defeat but if it was not for Juliana by his side, atop an elephant, goading and coaxing him to fearlessly continue with the battle, the outcome would have been another story. They emerged victorious from the armed conflict and clash due to the superior artillery power furnished by the Europeans brought into the warfare by the Lady herself.

The authors, while covering a huge canvas, starting off with the Battle of Hugli where Shah Jahan van- quished the Portuguese from Bengal so as to depict Juliana’s origins—she was probably born in Bengal and brought to Agra as an infant after her mother was sent to the Royal Seraglio—have heavily relied on research material and documentat­ion obtained from a number of archives, museums and history journals. They evidently have spoken to a multitudin­ous number of distinguis­hed scholars and have pushed themselves to the limit to seamlessly connect the dots and thus unravel the story. In the process, what is also an exemplary part of the book is that the writers have given fresh insights into the manner in which the Mughals functioned. In addition, they have provided intricate and minute details regarding the succession battles which unfolded, awash with unheard of barbaric cruelty. There is a mention how Shah Jahan was infuriated by the Portuguese who are alleged to have abducted two slave girls serving in the support staff of Mumtaz Mahal, his treasured Queen. Interestin­gly so, this was the point of conflagrat­ion that led to his decision to go to war with the Portuguese. There are rare but definitive glimpses of Aurungzeb and his paranoid nature, which continued to dominate, his life far after he succeeded in forcibly inheriting the throne from his father by eliminatin­g his brothers. His paranoia grew so neurotic that he deployed spies to collect a daily dossier on the most irrelevant activities of his own sons.

Aurungzeb’s desire to set up a Mughal Navy also finds a place in the book which describes him as a small-built man, bearing a large nose, who at the age of 80 managed to write and sign his decrees with full control of his senses. The magnum opus further covers the intrigue in the Mughal household, and how Shah Alam used deception as a powerful weapon to hoodwink his brother by pledging that he would flee to Persia for all times, once their father was no more. However, in the meantime, he meticulous­ly marshalled his resources with the active collusion of Juliana, who laid at his service trained Portuguese, French and Dutch soldiers.

There is a reference to the request made by Juliana in July, 1710 to the Portuguese King during the reign of Shah Alam seeking noble status for herself and members of her family. The letter sent to the King by the new Viceroy was untraceabl­e, but the authors were able to locate documentat­ion, wherein the Viceroy wrote to Father Joseph da Silva who is understood to be the person who was in constant communicat­ion with Juliana.

The book sparklingl­y brings out Juliana’s hold over the Mughals which continued even when Mohammad Shah, Shah Alam’s grandson was crowned the Emperor. She was one of the most trusted aides of Nawab Qudsia, the Monarch’s mother. While advising the Royals on key matters, she concurrent­ly looked after the Portuguese interests well beyond her call of duty. She played the messenger of Christ and her contributi­on to the spread of Christiani­ty in India was acknowledg­ed by one and all. She passed away at an advanced age in July-August, 1734 and this event is recorded in the Tarikh- i-Muhammadi which states, “Julya ( Juliana), a pirangi (firangi,a foreigner) woman, doctor and favourite of the deceased Shah Alam and the reigning Mohammad Shah died in August, 1734’’.

The book furnishes the reader with the diabolic and black-hearted brutality perpetrate­d by the Mughals at that time to eliminate rivals in the wars of succession. The mode of killing of Jahandar Shah and his Chief Lieutenant, on orders of Farrukh Siyar, as also Siyar’s own murder can be best described as hair-raising, spine- chilling and bloodcurdl­ing. Blinding, as one of the chief instrument­s, was used undeterred, on even ten year old princes whose eyes were gouged out by needles. The authors have recorded the invasions of Ahmed Shah Abdali and Nadir Shah briefly, though they have alluded to the hedonistic lifestyle of Mohammad Shah as one of the principal reasons for the final disintegra­tion of the Mughal Empire.

This coffee table book is a precious collector’s item and is a priceless resource tome. It, thus, should occupy a prime place on the desk of every student of medieval Indian history, and for the uninformed reader, there could be no better introducti­on to acquaint them to the way things were in this country less than three centuries ago. Juliana Nama could possibly provide inspiratio­n to movie-makers from round the globe, who could perhaps be able do justice to this enigmatic Heroine in all her glory and splendour. Juliana is probably an ideal subject for someone like Shekhar Kapoor or Sanjay Leela Bhansali, or maybe some filmmaker from the West, familiar with the frame-by-frame genre of Cecil B. DeMille or Sir Richard Attenborou­gh. The two authors need to be hailed for recording and putting to paper complex and sinuous details, which weave the fabric of the text into a fact-based and true-hearted historical treatise.

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